Gigi Murakami
Middle Grade
My name is Gigi Murakami, I’m an award-winning manga artist & illustrator, and content creator at the intersection of horror media, Japanese manga and anime, and alternative and nerd culture. My work overall blends Japanese manga art, vintage grind house poster art, and pulp comic aesthetics, while thematically focusing on the dark, dramatic, fantastical, and often introspective.
Colloquially known as “Queen of Horror Manga,” I have a handful of both traditionally published and self-published works, but am most recognized for my supernatural horror manga, RESENTER, which had a one-shot published with Viz Manga.
I’m currently working as art lead and executive producer with the anime company, NLite, on their sophomore film “WEBE”, operating my membership program, Midnight Cult, online store, Gigimurakami.store, and creating content on my social media.
Some fun, notable achievements:
In 2025, I received the Cartoon Crossroads Columbus Emerging Talent Award, presented by Bone creator Jeff Smith and partner Vijaya Iyer. I’ve also worked with numerous brands for social media campaigns, including VIZ, Kodansha, Wacom and more. Another cool thing was being able to be a judge for the Brooklyn Horror Film Fest and facilitate a giveaway between BHFF and Kodansha for lovers of both horror film and manga, like myself.
What was your favorite book as a child?
Probably Corduroy by Dan Freeman. It was actually quite scary for me as a child, but I loved it so much. I think Are You My Mother? by P.D.Eastman is the same for me as well.
What is your favorite food?
I really love Unagi Don–sweet eel over rice! I’m a sucker for fries as well!
Who or what inspires you the most?
I’m highly inspired by mangaka, such as Naoki Urasawa, Junji Ito, Katsuhiro Otomo, and Satoshi Kon. I find all of these creators to be fantastic. Their work has completely blown me away and has pushed me to create better stories.
Available for School Visits:
I’ve mostly been to Art Colleges. I went to the School of Visual Arts a few times, Parsons and the Queens Library. I’m always available to talk to schools and, especially, libraries–libraries were my sanctuary growing up.
Awards and honors:
SPX Ignatz Award 2024 (Nominee)
Cartoon Crossroads Columbus Emerging Talent 2025
Harvey Awards 2025 (nominee)
ALA Outstanding Graphic Novel for Children Awards 2026 (Honor)
Creative Process:
My process for making manga / comics involves creating a short outline of the story. From that outline, I’ll use a Japanese writing structure called “Ki Sho Ten Ketsu” to organize the main beats of the story and thats about as much as I’ll do for the writing process. I have hyperphantasia (vivid mental imagery), so I want to get to the draw stage as quickly as possible so I don’t lose the scenes (and hype) that I created during the outlining stage.
Everything in this part of the process is done in Clip Studio Paint. Once the writing is done, I’ll create a few sketches of the main characters and get their designs settled before moving onto storyboarding. I create the dialogue, character blocking, panels, and panel composition all at the same time— just trying to transfer what’s in my head onto the storyboards. During this process, the whole comic is thumbnail size, but is large enough to cleanly add dialogue and everything else I need. Once I finish, I’ll screenshot each of the pages onto my large size, manga work file, and just trace over my initial sketches and finalize.
My process for illustration is roughly the same, minus the story outline.
What do you love to do for fun?
I enjoy watching movies, reading manga, gaming (although, I don’t have so much time to game these days), and traveling.
Location:
Brooklyn, NY
Published books:
The Sinister Sisters and Other Terrifying Tales – Are You Afraid of the Dark? Graphic Novel #2 (Abrams, 2024)
RESENTER (VIZ, 2024)
Hello Darkness #16 (Boom Studios, 2025)
RAZORBLADES (Tiny Onion, 2025)
Paroxysm Vol V (Mysto Press, 2025)
Forthcoming books:
Mediums:
I started my career primarily using traditional tools, but now use mostly digital tools, such as Clip Studio Paint with my 24-inch Wacom screen display for making manga and comics. For illustrations, I move between digital, watercolor, or Copic markers to get the job done.
Specialties:
Advertising, Black & white, Book Covers, Character design, Graphic novel interior art, Horror, Illustration, Inking, Manga, Middle Grade, Mystery, Packaging, Penciling, Sci-fi, Writing, Young Adult
Visit Gigi at:
Published Books
Dusty Higgins
Middle Grade
Dusty Higgins is an award-winning cartoonist and illustrator who began his career working in newspapers as an editorial cartoonist, illustrator, and graphic designer. He’s worked in branding and marketing, as a professor of digital media, and as an animator/director (Star Forest). He fell in love with storytelling at an early age, drawing comics in elementary school, later writing and drawing three different comic strips four days a week for his college newspaper.
Higgins’ debut graphic novel, Pinocchio Vampire Slayer, was a 2010 Top Ten Great Graphic Novels for Teens from the Young Adult Library Association. Higgins has a Masters of Fine Arts in Animation from Savannah College of Art and Design, although that’s not nearly as impressive as his homemade pizza, cultivated from years of practice. When he’s not creating or cooking, he enjoys spending time with his wife, two children, two dogs, and a Venus fly trap named Vinny.
What do you love to do for fun?
I grew up waterskiing on the lake with my dad, who did so with his dad, and I happily take my children to the lake to sling them across the water as I continue that tradition.
What cool travel spots would you most highly recommend?
The Ten Thousand Buddhas Monastery in Hong Kong is a treasure I’m happy to have been able to visit. The stairway up the mountain to it is lined with a hundreds of uniquely posed golden Buddha statues, and it was an inspiring place to visit.
Available for School Visits:
I enjoy talking with kids and giving them a behind the curtain reveal of what professional artists do, talking about ideation and explaining how artists start with sketches to create a blueprint, and what that work goes through next. Basically explaining to them why that how to draw books starts with circles and squares to make a bear, and how even people like me still do that. I like to bring in examples of work that I’ve done to show how things get made and what they look like in early examples versus and then show them what the final product that they see actually looks like. I’ve done this both with graphic novels as well as animation. I like to end the presentations with a group exercise, usually letting the students help me ideate a character or a short four panel comic, depending on how much time we have.
Visit Dusty at:
Website: https://dustyhiggins.com/
Instagram: https://www.instagram.com/dusty_higgins
Bluesky: @dustyhiggins.bsky.social
Creative Process:
I once had an older, and wiser, colleague who taught painting describe to me how they would teach students the process of painting using a projected image over time. They began by projecting the image completely out of focus, so that the students would only see blurry shapes. The initial paintings would be abstract forms. But every so often, this professor would tweak the focus, slowly bringing the image into a sharp perspective. Each time, the abstract forms would be rendered to a finer degree, before the students finished their painting. My approach to each project I work on is much the same. I work in digital media, traditional mediums, in motion and static, and even in writing. The method works for all of those mediums, and can even inform a different approach to the medium. Begin simple and broad, then I analyze, refine, and repeat until it’s done.
Awards and honors:
2010 Top Ten Great Graphic Novels for Teens, Young Adult Library Services Association
2015 Junior Library Guild Selection, Junior Library Guild
2017 Junior Library Guild Selection, Junior Library Guild
Specialties:
Action-adventure, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Mystery, Non-fiction, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Writing, Young Adult
Who or what inspires you the most?
Nature. One of my go-to things to do when I’m feeling uninspired is to grab some gouache and my art travel bag, and find a nice spot for some plein air painting.
Published books:
Pinocchio, Vampire Slayer (SLG Publishing, 2009)
Pinocchio Vampire Slayer and the Great Puppet Theater (SLG Publishing, 2010)
Knights of the Living Dead (SLG Publishing 2011)
Turok, Son of Stone Volume 1: Aztlan (Dark Horse 2011)
Pinocchio, Vampire Slayer Volume 3: Of Wood and Blood part 1 (SLG Publishing, 2012)
Pinocchio Vampire Slayer of Wood and Blood part 2 (SLG Publishing, 2012)
Pinocchio, Vampire Slayer: Complete Edition (Top Shelf Publishing, 2014)
Miles Taylor and the Golden Cape: Attack of the Alien Horde (Simon and Schuster, 2015)
Valkyrie Beer Delivery (Stela Publishing, 2017)
Miles Taylor and the Golden Cape: Rise of the Robot Army (Simon & Schuster, 2017)
Forthcoming books:
Location:
Bryant, AR
Mediums:
digital, ink, watercolor, gouache
Published Books
Anna-Maria Jung
Middle Grade
I am a passionate Austrian illustrator with a quirky and sometimes dark sense of humor. I’ve been creating whimsical and endearing characters ever since I could hold a pencil, which naturally led me to explore graphic novels.
After earning a Master’s degree in Multi Media Art in Austria in 2007 (which included an internship at Bill Plympton Studios) and a Master of Arts in Illustration from FIT in New York in 2011, I began producing hundreds of charming and nerdy designs for the licensing market. My work also extends to illustrating children’s books for renowned publishers such as Macmillan, Workman Publishing, and Epic!
Comedy plays a central role in my art—especially when it comes to blending silly, innocent moments with a darker sense of humor. I’m fascinated by how the world can be both wonderful and terrifying at once, and how life itself is often just plain weird. I also have a special love for odd science topics, from gross bodily functions to parasitic lifeforms and beyond.
What cool travel spots would you most highly recommend?
Japan, anywhere! I have never been in a country that puts so much efford into the functionality and the design of things. And there are so many wonderful character designs everywhere!
Why is your humor so silly, but also dark?
Sometimes I wonder the same, and one thought I have is that in Austria, I grew up with quite “dark” children’s media. For example, a lot of Japanese/German animation productions featured themes such as death, suffering, and violence — for example, Alfred J. Kwak, produced in the late ’80s, had a cute duck experience terrible loss and other serious adult themes.
In addition, Austrian cartoonists I liked, such as Deix and Harderer, drew their subjects in a very unflattering light. Later in life, I was very influenced by the late ’90s Cartoon Network era and Monty Python. I have a lot of love for silly and dark humor.
Awards and honors:
Fulbright Scholarship, Fashion Institute of Technology (FIT) New York, 2009 – 2011: Master of Arts
Society of Illustrators, New York – Illustrators 54
Selected for inclusion in the annual exhibition and publication, 2012.
Star Trek: 50 Artists. 50 Years
Featured in this international traveling exhibition celebrating the franchise’s 50th anniversary, 2016.
Creative Process:
For most projects, everything starts with doodles in my sketchbook, maybe with a few research photos next to me. This always happens with analog materials, sometimes in a café. The doodle helps me nail down composition, idea, and mood.
The doodle works as a perfect underlay for the upcoming sketch phase. Usually, it takes me a couple of sketches — between one and five — to reach a stage that I consider ready for clean line art. To improve the sketch, I scan it in, mirror it in Photoshop, print it out at low opacity, and draw over it again multiple times. Sometimes a sketch feels like a “Quasimodo” in its first stage and slowly transforms into something presentable with each pass.
Something I learned is to keep making passes until the sketch works 100% (or at least 90%) — then I scan it and do the line art and color digitally in Photoshop. There, I work with many, many layers and very methodically. This means that I have a lot of easy control over the character’s position, color changes, etc.
This is all for finished client artwork — in my sketchbook, I go wild with watercolors, markers, and colored pencils.
Mediums:
Pencil on paper, digital, mixed media
Specialties:
Location:
Graz, Austria
Published books:
Redshirts: Star Trek’s Little Book of Doom (Insight Editions, 2016) – Illustrations
The Most Dangerous Book: Archery (Workman Publishing, 2017) – Illustrations
Turn This Book Into a Beehive (Workman Publishing, 2017) – Illustrations
TinkerActive Workbooks (Odd Dot / Macmillan, 2018-2020) – Covers & Character Designs
Creepy Cafetorium Vol. 1–3 (Epic!, 2019-2022) – Illustrations & one story concept
Disgustology: The Science of Gross (Odd Dot / Macmillan, 2025) – Concept & Illustrations
Turn This Book Into a Birdfeeder (Workman Publishing, 2025) – Illustrations
Forthcoming books:
Visit Anna-Maria at:
Webseite: https://www.annamariajung.com/
Instagram: https://www.instagram.com/artofannamariajung/
Facebook: https://www.facebook.com/artofannamariajung
Substack: https://annamariajung.substack.com/
Linkedin: https://www.linkedin.com/in/anna-maria-jung-3780a320a/
Published Books
Royden Lepp
Middle Grade
Royden Lepp is a Canadian/American author and illustrator best known for his acclaimed graphic novel series Rust, which was optioned by 20th Century Fox. He is also the creator of the middle grade series Jurassic Jeff from Random House Graphic. With a professional background spanning video-game art direction, picture books, storyboarding, and concept art, Lepp’s work combines cinematic storytelling with a warm, character-driven visual style that has earned him Junior Librarian Guild Selections, Canadian Council of the Art grants, and a dedicated readership across age groups.
Royden lives in the Pacific Northwest of the US, where he continues to create new stories across books and visual media. Outside of his illustration and writing work, he enjoys photography and drone videography.
What was your favorite book as a child?
All of the Dr Seuss books were so wild and delightful when I was young. There were a few X-Men and Spiderman series that had a pretty big impact on my taste in sequential stories.
Who or what inspires you the most?
Music moves me the most. I create playlists for my projects that get me into the mindset, draw out the emotions I need to connect with the characters and ensure I strike the right tone. Sometimes it’s just one song that defines a whole book for me.
Mediums:
My primary medium is Digital.
Specialties:
Action-adventure, Animals, Board books, Book Covers, Character design, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Manga, Middle Grade, Mystery, Non-fiction, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Writing, Young Adult
Location:
Bothell, WA
Creative Process:
I have a lot of different approaches depending on the type of project, whether it’s writing or illustrating, but I always like to have something visual to go with my work. I like to work very loose and rough before finalizing. I like to create a clear and defined vision for a project so anyone involved can see where it’s going. I like creating something new and fresh but all of my work is inspired by my experiences in life. I work digitally almost exclusively for the sake of speed and efficiency.
Awards and honors:
Junior Librarians Guild Selections for each Jurassic Jeff Volume
Available for School Visits:
If Royden is scheduled to visit your school, you can expect him to address any grade from K-6 for 35-45 minutes talking about visual literacy, art as a career, visual storytelling, and the power of drawing. He will do live drawing on a tablet connected to a screen and engage in an interactive lesson on the key elements of storytelling. Facility and audio/visual requirements are a large TV or projector with an hdmi or usb-c port, and a microphone depending on audience size. Audience cap of 20 kids with one other adult present for crowd control, larger assemblies permitted with larger support. High school level portfolio reviews are also an option.
Published books:
David, Volume 1: Shepherd’s Song (Alias, 2006)
Barnabas Goes Swimming (Harper Collins, 2008)
Barnabas Helps a Friend (Harper Collins, 2008)
God Loves You, Barnabas (Harper Collins, 2008)
Happy Birthday, Barnabas (Harper Collins, 2008)
How to Draw Big Bad Bible Guys (Harper Collins, 2009)
How to Draw Big Bad Bible Beasts (Harper Collins, 2009)
Rust Vol. 1: Visitor in the Field (BOOM! Studios / Archaia, 2011)
Rust Vol. 2: Secrets of the Cell (BOOM! Studios / Archaia, 2012)
Rust Vol. 3: Death of the Rocket Boy (BOOM! Studios / Archaia, 2014)
Rust: The Boy Soldier (prequel) (Archaia, 2016)
Rust Vol. 4: Soul in the Machine (BOOM! Studios / Archaia, 2018)
Jurassic Jeff: Space Invader (Jurassic Jeff Book 1) (Random House Graphic, 2023)
Jurassic Jeff: Race to Warp Speed (Jurassic Jeff Book 2) (Random House Graphic, 2024)
Forthcoming books:
Jurassic Jeff: Phone Home (Jurassic Jeff Book 3) (Random House Graphic, 2026)
The Cedars (Random House Graphic, Fall 2027)
Visit Royden at:
Published Books
Sarah Cathcart Anderson
Middle Grade
Sarah Cathcart Anderson is an artist, writer and creative director living in the Pacific Northwest. She has spent many years collaborating with big and small brands, ad agencies and non-profits. Sarah is a graduate of Stanford University, with a theater major, and an alum and former instructor in the Art Center College of Design’s Advertising program. As an illustrator she works both digitally and in ink, pencil and watercolor, creating work that explores the magic and absurdity of the everyday world. When she’s not telling stories and making art, Sarah spends her time detangling her son’s wildly long hair, hanging with her dogs, and eating amazing food cooked by her husband, Food Network personality and Today Show regular Mark Anderson of The Grill Dads. Her family is thrilled she does so little cooking herself.
What was your favorite book as a child?
I loved so many! One of them was definitely Alexander and the Magic Mouse. The illustrations and characters were so vivid for me, and I loved the idea of being trapped in a rambling house reading sea stories and drinking tea with talking animals while a storm raged outside for 30 days and 30 nights. I still do.
Who or what inspires you the most?
My kiddo. He’s brilliant and wild and completely unique. He inspires me every day.
Mediums:
watercolor, ink, pencil, digital
Specialties:
Creative Process:
For me, everything starts with some kind of narrative spark: sometimes it begins with an image, sometimes with words, sometimes with an emotion or experience I’m trying to articulate. Then I grab whatever is nearest—scraps of paper, my notes app, an actual sketchbook (if I’m lucky)—and start scribbling. If I’m starting with words, my next step is to get to my computer and expand on the thought, trying to find the form in the narrative. If I’m starting with a visual, I draw some rough sketches on paper or on my tablet and get to know the new idea a bit. Either way, my next move is to really nail down the manuscript and then draw a loose storyboard so I can see how the story moves and breathes. Then I’ll play around with character design and choose a key moment to explore visually in more depth. I try obvious stuff, weird stuff, go down tangents, and then get to work drawing a more refined version on paper. I usually rough in with a light pencil, then come back with watercolor, then colored pencil, and then scan it into my tablet and noodle around with it in Procreate. At that point I’ll probably bounce back and forth between paper and tablet. Whether I’m writing or illustrating, a really important part of my creative process is to stop at different points and step away—when I come back with fresh eyes, I always find I bring something new to the work.
Location:
Boise, ID
Published books:
Forthcoming books:
Awards and honors:
Available for School Visits:
Visit Sarah at:
Rajiv Eipe
Middle Grade
Rajiv Eipe makes picture books, comics, and short animation films. He collaborates frequently with the writer C. G. Salamander, and some of the series they’ve worked on together are the Maithili and the Minotaur graphic novels, the Lost Creatures Picture Books, and the Nisha Small middle grade novels. In 2020, he was awarded the Parag Big Little Book Award for illustration for his contribution to children’s literature in India. He lives in Bangalore, India, with his family consisting of two cats, one dog, and one (other) human. He likes to doodle in his sketchbook, drink more coffee than he should, maintain an untidy workspace, and gaze into vacant space at regular intervals.
What was your favorite book as a child?
Mr. Clumsy by Roger Hargreaves. And a bunch of comics—Funny World, Detective Moochwala, and Gardhab Das, in a children’s magazine called Target, published in India in the 80s and 90s. I wasn’t a very good reader as a child, and images were a way into books for me. Looking back, it’s pretty incredible that a green blob with a yellow circle for a nose and a few strands of hair sprouting out of the top of his head and from under his nose can so vividly represent a character that you feel for and laugh along with.
What do you love to do for fun?
I love the outdoors and live in a city with a temperate climate and lots of great short hikes. I’m also an amateur birder, and will find time a couple of days a week to grab a pair of binocs and walk around a park or city forest near home (while silently muttering curses at people who wear bright colours and talk loudly inside a forest).
Awards and honors:
The Big Little Book Award for Illustration 2020 by the Parag Initiative of Tata Trusts for contribution to Children’s Literature in India
Binod Kanoria Early Readers Award 2024 for Hello Sun
Mehlli Gobhai Award for Illustration 2022 for Chitty: A Dog and her Forest Farm
Atta Galatta Bangalore Literature Festival Picture Book Illustration Award 2022 for Dugga
Binod Kanoria Illustration Award 2022 for Dugga
The Hindu Young World Good Books Award for Illustration 2019 for Ammachi’s Amazing Machines
Creative Process:
Making rough drawings in sketchbooks or on loose sheets of paper is a way of thinking for me—my small brain can hold only so much. So every project or idea generally starts like this, with sketchy pencil drawings, whether I’m collaborating with a writer and responding to a manuscript, or working alone. I love the character design process and spend lots of time doodling many variations of a design till I find what feels like a good fit. I find it somewhat difficult and constricting to draw directly on a computer, so it’s usually pencil on (cheap) paper, but i often add colours digitally, especially on projects with short timelines. I’ve noticed that as images move towards completion, they lose some of the energy of initial sketches, so i’ve been making an effort to retain some of the freeness and looseness of rough drawings. I’m generally ‘drawn’ to silliness in stories and characters, and try and find inspiration for drawings from the sights and sounds of my immediate surroundings.
Location:
Bangalore, India
Mediums:
Pencil, Inks, crayons, colour pencils, mixed media, digital
Specialties:
Published books:
Dugga (Pratham Books, 2021)
Maithili and the Minotaur: Web of Woe (Puffin India, 2021)
Nisha Small: The Knot of Gold (Duckbill PRH 2022)
Maithili and the Minotaur: Forest of Forgotten Fears (Puffin India, 2022)
Hello Sun (Pratham Books, 2022)
How to Reach Mars and Other (Im)Possible Things (Puffin India, 2023)
When Fairyland Lost Its Magic (Harper Collins Children India, 2023)
Ajay of Agumbe and the Signal Snake (Pratham Books, 2024)
Nisha Small: The Strand of Silver (Duckbill PRH 2024)
Maithili and the Minotaur: Dolls of Despair (Puffin India, 2024)
The Pangolin Protectors (Pratham Books, 2025)
Song of the Asunam (Harper Collins Children India, 2025)
Forthcoming books:
Prabir’s New Flute (Duckbill PRH 2025)
Maithili and the Minotaur: Isle of Insanity (Puffin India, 2026)
Aalais like the Hills (Harper Collins Children India, 2026)
Available for School Visits:
No
Visit Rajiv at:
Published Books
C. G. Salamander
Middle Grade
C. G. Salamander is a writer and graphic novelist who splits his time between Chennai, India and Groot-Ammers, The Netherlands. Working alongside co-creator Rajiv Eipe, he’s one half of the Maithili and the Minotaur series, the Lost Creatures Picture Book series, and the Nisha Small middle-grade novels. In addition to writing, he spends his time taking long walks in the Dutch countryside, gardening, or tinkering with recipes that don’t need tinkering. He also likes to cycle, travel the world, and was once bitten by a sea-turtle.
What was your favorite book as a child?
Tin Tin! Comics were hard to find in India in the 90s, but when I got my hands on my first Tin Tin, something clicked. I can still picture that Lama spitting on Captain Haddock, as well as hear his alliterating curses. Everything from the thin pencils, the pastel colors, the pages packed with panels, and the comic relief. It was masterful. I didn’t know it at the time, but it’d introduced me to my favourite literary format.
What cool travel spots would you most highly recommend?
I have a list! Vilnius in Lithuania is a woefully underrated city. There’s this secret beach called Vruja that I stumbled across in the Dalmatian coast (Croatia) – the water is VERY cold but hands down the prettiest coast I’ve visited. The Armenian church in Chennai because it’s an oasis of calm surrounded by chaos (I once worked as a tour guide and this is where I would take overstimulated tourists). Kampung Baru in Kuala Lampur, Malaysia – to see defiant (village) houses surrounded by skyscrapers (make sure you have the Nasi Lemak at Wanjo). The Molenlanden (translates to windmill land) it’s where I call home and it’s beautiful. The Gothenburg peninsular in Sweden, the South Island in New Zealand, Pittsburgh! I’m plagued by the thought of how short life is, in terms of the number of places I won’t get to see.
Available for School Visits:
In my presentations, I teach students how to convincingly build large fantastical worlds — drawing from myth, folktales and urban lore that’s indigenous to their geographies.
Creative Process:
I’m constantly bombarded with ideas, so it’s important not to note them down, no matter how interesting they may seem. I just let them slosh around in my mind, and if they’re truly memorable, I’ll start obsessing over them. What follows is a fair amount of research, and once that’s done, the characters, arc, plot, and title usually reveal themselves. Then it’s off to getting the first draft out, either in my notebook or on my computer. If I’m visited by a colossal thought—one with multiple arcs and a fair amount of world-building—I take my time and break it down to make it manageable. With our graphic novel series Maithili and the Minotaur (co-created with Rajiv Eipe), we split one big idea into three manageable arcs across seven books. When it comes to world-building, I’m always tempted to create a One Piece (Eiichiro Oda) sized world. But I find it more manageable to take a Discworld (Terry Pratchett) esque approach, where one big world serves as the backdrop for many stories. Makaras to Manticores: Around India in 100 Mythical Creatures (Hachette, 2023) catalogues mythical beings; The Lost Creatures picture book series (HarperCollins, 2025) gives each catalogued creature its own book; and finally, Maithili and the Minotaur (PRH, 2021–present) uses these creatures as part of the world-building. Ultimately, it all boils down to obsession. I can’t write if I’m not consumed by an idea. which is why, with commissions, the first thing I do is induce obsession through a lot of research.
Specialties:
Location:
Groot-Ammers, South Holland, Netherlands
Published books:
Maithili and the Minotaur: Web of Woe (Penguin, 2021)
Maithili and the Minotaur: Forest of Forgotten Fears (Penguin, 2022)
Nisha Small: The Knot of Gold (Duckbill Books PRH, 2022)
From Makaras to Manticores: Around India in 100 Beasts (Hachette, 2023)
Nisha Small: The Strand of Silver (Duckbill Books PRH, 2024)
Maithili and the Minotaur: Dolls of Despair (Penguin, 2024)
Tara’s Elephant 2nd Editon (Scholastic, 2025)
Song of the Asunam (Harper Collins, 2025)
Tiny Tale: Frank Goes to the Market 2nd Edition (Scholastic, 2025)
Tiny Tale: Amal Rides the Rails (Scholastic, 2025)
Astray in the Sundarbans (Room to Read, 2025)
Forthcoming books:
Maithili and the Minotaur: Isle of Insanity (Penguin, 2026)
Tiny Tale: Ajay’s Surprise (Scholastic, 2026)
Aalais Like the Hills (Harper Collins, 2026)
Awards and honors:
Bangalore Literature Prize (Children’s Fiction) – 2022
Parag Honour List – 2024
Visit C. G. at:
Published Books
Jade Vaughan
Middle Grade
Howdy, I’m Jade! I’m a comic bookworm currently based in Virginia. You can often find me lost in a library or forest somewhere. For the past few years I have worked multiple part time jobs (the hustle is real y’all) and as the creative director for Kids Comics Unite, a team passionate about fostering community and providing opportunities for kids-ya comic creators.
My fascination with storytelling is rooted from multicultural experiences I had growing up as a traveling military brat, a love for magical girls, and a deep appreciation for worlds you can sink yourself into to go on good ol’ fashion adventures. In my free time I enjoy baking, spilling tea with friends, and dreaming of one day owning a mango tree.
What is your favorite food?
Mangos! In fact, my content is rated M for Mangos. They’re amazing, 12/10.
What inspired you to make comics??
I didn’t think I could make comics for a long time, because I thought they were mostly stories of superheroes in the west or manga in the east. It wasn’t until I found Jen Wang’s Prince and the Dressmaker misplaced on a shelf at a Barnes & Noble, that I realized graphic novels were a thing in the U.S and GASP what — exploring topics like crossdressing in a positive way??
This was during a time when I was figuring out my own queerness, and it was genuinely life changing. It made me realize that creating these kinds of comics was something I absolutely could do!
Mediums:
I primarily use digital, however I have experience with watercolor, ink, and graphite. I would love to use analog tools for early reader comics, picture books, or illustration assignments.
Creative Process:
I usually approach characters first, followed by their world, and what medium (story length & type of art tool) best suits it. I try to grasp a very specific scene in my mind, and everything goes towards getting to that scene! How I get there is part of the fun.
As for coming up with ideas and getting inspired – I like to go on walks, research locations, or sit at a park or forest. They all add to the creative soup. I also like to stick large pieces of paper on the wall and write/tape stuff on it. It’s good to have a tangible vision board to go back to.
Location:
Virginia, US
Awards and honors:
Visit Jade at:
Published books:
Forthcoming books:
Specialties:
Action-adventure, Black & white, Book Covers, Branding, Character design, Coloring, Concept art, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Manga, Middle Grade, Non-fiction, Penciling, Picture books, Slice-of-life, Spot art, Storyboarding, Young Adult
Available for School Visits:
I have not yet presented at a library or school but would love to! I’d happily give presentations on how to make four panel comics, my process making a book or zine, or even give an entire monologue on an ode to the mango while wearing a mango costume.
Philip Cheaney
Middle Grade
Philip Cheaney was born and raised in rural southeastern Missouri. He is the middle of five children and lived, for a time, on a farm with 16,000 chickens, 40 cats, two goats, a pet possum, and a rotating cast of misfit dogs. He attended school for illustration and graphic design at Missouri State University and later received his MFA in illustration at The School of Visual Arts in New York. In the summer of 2022 Philip attended the La Maison des Auteurs comic and graphic novel residency in Angoulême, France where he wrought into existence the bulk of the idea for his debut graphic novel, Fresh Kills. He lives in Brooklyn with his wife and works as a design director, but sneaks away to the country to go trout fishing when he can.
What do you love to do for fun?
I love trout fishing. It’s kind of like playing a slot machine, but you win fish.
What was your favorite book as a child?
Abel’s Island by William Steig
Awards and honors:
Mediums:
Brush pen with ink and digital
Creative Process:
While I dabble in a large variety of styles and mediums, my go-to medium is a combination of inking with a Pentel brush pen with Dr. Ph. Martin’s Matte Black Star ink or digital brushes with Procreate and then coloring digitally in Photoshop. I enjoy working with a rough, inky line that gives the work a gritty energy. I prefer to work with a limited color palette because of my tendency to become paralyzed with indecision. I always have to sketch and think out the solution on the page.
Location:
Brooklyn, NY
Visit Philip at:
Published books:
Forthcoming books:
Specialties:
Action-adventure, Advertising, Animals, Black & white, Book Covers, Branding, Character design, Coloring, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Packaging, Spot art, Typography, Writing, Young Adult
Available for School Visits:
In my presentations, I like to share my creative process and show how students can come up with their own ideas for crafting stories.
Andy Hirsch
Middle Grade
Andy Hirsch has worked on everything from licensed books to graphic novels and nonfiction. He is the author and illustrator of many entries across First Second’s hit Science Comics and History Comics series, each of which has been named a Junior Library Guild Selection. His work has been featured on year’s best lists from the American Library Association and the School Library Journal and has been licensed for translation into nine languages and counting. His most recent book, Good Boy, follows a mismatched boy and his dog as they overcome obstacles from bar jumps to anxiety dreams in the exciting world of canine sports.
What do you love to do for fun?
I’ve become a late-blooming fan of recreational sports, specifically volleyball. It’s structured fun, scheduled months in advance — find your local league today!
What was your favorite book as a child?
Hank the Cowdog was my guy. Clearly I’ve adored dogs and detested injustice from day one. To hear my parents tell it, I only accepted our move to Texas when I found out the bookstores here stocked Hank.
Awards and honors:
American Library Association Best Graphic Novels for Teens 2013 – The Royal Historian of Oz
School Library Journal Best Graphic Novels 2017 – Dogs: From Predator to Protector
American Library Association Best Graphic Novels for Children 2021 – The American Bison: The Buffalo’s Survival Tale
Junior Library Guild Gold Standard – Dogs: From Predator to Protector, Trees: Kings of the Forest, Cats: Nature and Nurture, Rocks and Minerals: Geology from Caverns to the Cosmos, The American Bison: The Buffalo’s Survival Tale, The Transcontinental Railroad: Crossing the Divide, Electricity: Energy in Action, Human Spaceflight: Rockets and Rivalry
Creative Process:
My initial layouts are jotted down on index cards. This lets me see whole scenes laid out at once and frees me to iterate on pages in no time flat. From there I work entirely digitally, moving to Clip Studio Paint for a rough art draft. I letter early in the process because I believe balloons and captions are as important as anything to panel composition and page flow. Since I write my own books, I can even take the opportunity to tweak my script as I go. I do a second pencil draft as needed before inking, and then I export my pages to Photoshop for coloring.
Location:
Farmers Branch, TX
Specialties:
Action-adventure, Animals, Black & white, Book Covers, Character design, Coloring, Editorial, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Non-fiction, Penciling, Spot art, Storyboarding, Writing, Young Adult
Mediums:
Digital
Published books:
The Royal Historian of Oz (SLG Comics, 2011, artist)
Garfield vol. 2-9 (BOOM! Studios, 2012-2015, artist)
The Baker Street Peculiars (BOOM! Studios, 2016, artist)
Varmints (First Second, 2016)
Dogs: From Predator to Protector (First Second, 2017)
Trees: Kings of the Forest (First Second, 2018)
Cats: Nature and Nurture (First Second, 2019)
Rocks and Minerals: Geology from Caverns to the Cosmos (First Second, 2020)
The American Bison: The Buffalo’s Survival Tale (First Second, 2021)
The Transcontinental Railroad: Crossing the Divide (First Second, 2022)
Electricity: Energy in Action (First Second, 2023)
Human Spaceflight: Rockets and Rivalry (First Second, 2024)
Forthcoming books:
Good Boy (First Second, 2025)
The Senses (First Second, 2026)
Visit Andy at:
Published Books
