Joe Latham

Concept art

Joe Latham is an illustrator and graphic designer based in Bristol, UK. He cut his teeth creating custom MySpace Pages (RIP) for bands, which lead to a lot of interesting projects. From designing bespoke Golf Balls for celebrities to animating music videos for Cradle of Filth, Joe has done design work for Jilly Cooper, The Joy Formidable, Five Seconds of Summer, Uniform Dating, Ok Cupid, IndieGoGo, a number of UK Universities, Sony Music, and Warner Music, to name a few.

Joe has self-published a number of comic books and regularly exhibits at UK comic festivals. He’s planning to exhibit at other European and International festivals in the future. He loves meeting people and talking to them about his work.

Joe’s first Graphic Novel, HARU: Book 1, is released via Andrews McMeel 2024, the first of a three part Middle Grade adventure series about growing up, love, loss, and friendship.

What was your favorite book as a child?

Winnie the Pooh, or possibly The Giraffe, The Pelican and Me. It’s a tough call, because Roald Dahl was exciting in a way that other books have never been, but Winnie the Pooh has stayed with me forever. I used to take a collected version to my Mum’s piano lessons when I was a kid, and sit there next to a stinky gas fire with a tubby black-haired scotty dog. The dog would lay on its back getting a weird sunburn on its belly from the fire (and it would fart, all the time).

What cool travel spots would you most highly recommend?

Copenhagen, for its incredibly comfortable culture, amazing pastries (get a hot cinnamon swirl, your life will never be the same again), great coffee and beer, cool electric city bicycles, amazing museums and great food. 

I’d also recommend Berlin. It’s an amazing place, though it changes every year. It never sleeps. Seriously.

One of the happiest times of my life was driving up the West coast of the USA. We hired a car and drove from San Francisco up to Portland. It was the most free I’ve ever felt, and I hope to go back one day for longer adventures.

GET IN TOUCH ABOUT JOE

Art Process:

I like my work to feel tangible and retain a sense of the energy you get from those early drawings, so I try to make sure the final pieces are refined enough, yet expressive. It means that each stage of the process is relatively quick in order to keep some of that feeling.

Typically I draw my thumbnail sketches with a Fountain Pen or Fineliner, then I will draw the final piece in rough using Blue Col-erase pencils (these are used a lot by animators – they don’t smudge yet aren’t too hard, so you can be nice and expressive), before refining the drawing with a mechanical pencil to work out the details. I then scan this, print it faintly on to larger-than-final smooth finish (hot press) Watercolour paper (it has a touch more tooth than Bristol board so I find it suits my inking style better – less smudges). Then I ink over this, mostly using a Pentel Brush pen, and some Pilot G-Tec pens. I love pens and stationery so my process adapts from time to time (when I find a tool that helps make things that teeny bit easier). I then scan the inked artwork, and colour it using Photoshop and an array of collected brushes that I’ve picked up down the years. I have a small handful that I return to most often.


Lindsey Leigh

Concept art

Lindsey Leigh is an illustrator and comic artist originally from Maryland. She has a BFA in illustration from Syracuse University as well as an MA in graphic design from the Maryland Institute College of Art. In between, she also interned at the Smithsonian Natural History Museum in the entomology department, diligently illustrating beetles.

Her work is inspired by mythology, folklore, and the natural world. Though her work ranges from the cozy and comforting to the unsettling and spooky, she aims to imbue even the scariest monster with a tender charm. She also has an encyclopedic knowledge of weird animal facts and a passionate love for snails and slugs. She currently lives in Massachusetts.

Who or what inspires you the most, and why?

I am endlessly inspired by the mysteries of our world, from the darkest depths of the sea to the furthest reaches of space.

What do you love to do for fun?

I love to go to art museums, natural history museums, and take long walks in the local cemetery.

Specialties:

GET IN TOUCH ABOUT LINDSEY

Art Process:

I typically start the process doing research and gathering reference material. This part of the process really appeals to me because I love to learn everything I can about the subject I’m drawing. 

Then, I usually create very rough, small thumbnail drawings (that only I can really read!) to help me figure out the composition.

Once I start the final, I start with a pencil sketch, then inking with a range of tools such as nib pens, technical pens, and brush pens. Once that is completed, I will scan the drawing in, and then clean it up and color it with Photoshop. As a final step, I will overlay scanned ink wash textures that I have made into the final illustration to give it some extra dimension. (Occasionally, I will use a photo I’ve taken of something more unusual, like moss or lichen, to overlay into the illustration!) My favorite step of the process is definitely inking; it’s where I have the most fun.

Mediums:

Location:

Visit Lindsey at:

Available for School Visits:

Yes! I love to speak with students about the process of creating their own stories and comics.


Ash Szymanik

Concept art

Hi, I’m Ash! I’m a queer Los Angeles based artist who makes all sorts of neat stuff. I have a BFA in Traditional Animation from Pratt Institute, and work as a designer, illustrator, and comics artist/writer.

My art is defined by animal characters, moody colors, and a bit of dark humor. I’m drawn to slice-of-life stories with LGBTQ+ themes and am committed to making art about both the struggles and joys of LGBTQ+ youth.

What is your favorite food?

Anything that is a pasta or a dumpling. Just as long as it doesn’t have mushrooms in it.

What do you love to do for fun?

I love collecting manga/comics, watching movies, discovering little-known indie video games, and cooking.

Mediums:

GET IN TOUCH ABOUT ASH

Art Process:

I’m a digital artist who does most of their work in Procreate! However, I have a little journal/sketchbook where I scribble down my ideas and doodles of concepts. If I’m experiencing art block, I like to skim through it and mine for ideas!

When I illustrate, I tend to make a very rough sketch to map out the drawing, and once the sketch is legible enough for me, I start inking. I try not to be too perfectionist when doing the lineart, especially since I love a bit of a wobbly line and texture. Then I start coloring. I love picking colors and settling on a palette. After editing, I’m all done!


Andi Watson

Concept art

I was born and raised in Kippax, a small town in Yorkshire, England. I spent half my life playing outdoors with my brother and friends and the other half reading, drawing and watching TV. Despite being in awe of the power of stories I was intent on being a car mechanic. Eventually I realised I had no interest in cars and even less talent for fixing things and went to art school in Liverpool. I rediscovered comics, made one of my own, graduated and continue to make more.

I’m still in awe of the power of stories and the satisfaction and challenge of telling my own through words and pictures. I live in Worcester with my wife and daughter.

What is your favorite food?

I like Brussel sprouts and broccoli but shiver in horror at courgettes. Brrrr….courgettes.

Specialties:

Published books:

  • Kerry and the Knight of the Forest (graphic novel)  Random House Graphic, 2020

And many others… click here for a complete bibliography.

GET IN TOUCH ABOUT ANDI

Location:

Worcester, UK

Mediums:

Art Process:

Everything starts with a pencil and paper, whether it’s noting down story ideas or thumbnailing images. I think with a pencil and problem solve on paper. No Moleskine notebooks for me, I use the back of old print outs and bills. Whatever’s to hand and I’m not precious about.

Once I have an idea I’m happy with I’ll move to pencil on paper. When I’m satisfied with the sketch I’ll use pen, brush, ink to complete the art. I try to balance a liveliness of line with control and clarity. Then I’ll scan it in and use Photoshop to tweak and colour.

Available for School Visits:

When I do school visits, I collaborate with the children to create an improvised comic story from their suggestions.

Visit Andi at:

Awards and honors:

Eisner, Best Graphic Album Reprint nomination 2000: Geisha

Eisner, Best Limited Series nomination 2001: Breakfast After Noon

Harvey, Best New Series nomination 2004: Love Fights

Eisner, Best Publication for Kids nomination 2009: Princess At Midnight

British Comics Awards, Young People’s Comic Awards nomination 2012. Gum Girl: Catastrophe Calling


Duachaka Her

Concept art

Duachaka Her is a Hmong-American cartoonist and illustrator from Wisconsin. She graduated from the University of Wisconsin-Stout with a BFA in Entertainment Design and concentration in Comics and Sequential Art. She creates graphic novels, illustrates picture books, and is a member of the Society of Children’s Book Writers and Illustrators organization.

Hmong-American children's book and graphic novel creator Duachaka Her at her home in Wisconsin

What is your favorite food?

My mom’s slow-cooked pork and mustard greens. It’s simple, savory, and just melts in your mouth with each bite! Definitely one of my favorite comfort foods!

What do you love to do for fun?

Read my stack of unfinished books, watch movies, and spend time with family.

Mediums:

Specialties:

GET IN TOUCH ABOUT DUACHAKA

Art Process:

My process usually starts out with me doing research, reading, or getting inspiration. From there, I do rough sketches in a sketchbook and test out various ideas and compositions. The chosen sketch gets penciled and inked traditionally on paper. I start out with a rough sketch of the entire drawing on paper and then start refining the pencils. After that, I go over the drawing with India ink and brush. Once the ink is completely dried, I erase all the pencil work and scan the piece. I’ll retouch and edit the scanned artwork in Adobe Photoshop and then do my colors digitally.

Awards and honors:

2019 SCBWI Marvelous Midwest Conference Art Show – Honorable Mention

2018 International Wisconsin Ginseng Festival Poster Contest – Grand Prize Winner

Location:

Visit Duachaka at:

Available for School Visits:

Yes. My visits usually consist of me doing a reading of my book and/or a presentation about my life as an artist and my art-making process followed by Q&A.


David Pierce

Concept art

Dave Pierce is an Author/Illustrator from the Northwest.

He re-discovered his passion for telling stories when he taught reading alongside his wife in the same Elementary classroom. Shortly after, he gained his certification to teach Art (K-12) and dove into the kidlit world via SCBWI. He is motivated by the “Ah-Hah!” moments that come when children read and stories that invite us to explore our place in the world.

He graduated from The Evergreen State College with an emphasis in Illustration, and studied Character Design and Digital Painting through The Oatley Academy of Visual Storytelling.

What do you love to do for fun?

Snowboard, Soccer, Hike, Music, Board and Video Games, and lots more. I probably have too many interests, but each one is so fun.

Favorite travel spots:

I’ve done a lot of travelling around Europe, but I have to say that Austria is my favorite. Go to Salzburg in the late spring and head into the mountains. Tell me you won’t have the Sound of Music running through your head!

Mediums:

Specialties:

GET IN TOUCH ABOUT DAVID

Art Process:

I try and leverage both digital and traditional media in my workflow.

One of the best things about working digitally is you can always undo things and make sweeping adjustments to composition by transforming and moving. This makes it a powerful tool early on when the ideas are just sketches. (Just don’t forget to click Save!)

As good as digital tools are, there’s something so *tangible* about creating traditionally. The feels and smells are wonderful, and I’ll get happy accidents that can inspire. Plus, you can work outside on a sunny day! (A rare treat in Washington State.)

I’ll usually make thumbnail ideas by pencil and scan them into the computer. Once in digital form, I’ll move its chunks around until I’m excited about it. From here I have a choice to continue digitally or print out the art for transfer via a light table. This works great for moving forward with Ink and Watercolor.

Sometimes I’ll stay traditional if it’s graphite or dry media, or go all-digital if it’s going to be something that demands more control. The important thing is knowing your tools and which approach will be most useful.

Location:

Visit David at:

Available for School Visits:

I enjoy doing visits in the classroom setting. This allows for hands-on learning with the students and making something collaborative together. My goal is to inspire the next generation of creatives, and to encourage anyone to try drawing and storytelling, whether they consider themselves an artist or not.


Elizabeth Jancewicz

Concept art

Elizabeth grew up in remote northern Quebec where she developed her love of natural landscapes and wild animals, which greatly influence her paintings.

She spends much of her time touring the country with her husband Eric in their band Pocket Vinyl, where she creates large fantastical oil paintings on stage while Eric sings and plays music. In 2019, they beat the world record for playing shows in all 50 states in the fastest time (45 days). Recently, they released their debut graphic novel memoir chronicling that adventure, titled How To Completely Lose Your Mind.

Elizabeth also writes & illustrates a twice-weekly autobiographical webcomic called The Touring Test, which focuses on the characters of Elizabeth & Eric, their two cats, and their experiences of being in a small touring band on the road.

Artist and graphic novelist Elizabeth Jancewicz headshot

Who or what inspires you the most, and why?

I love being around creativity. My walls are filled with other artists’ work, my shelves are full of graphic novels, and I love spending my time in DIY art spaces and seeing how other people interpret and express their individual creativity. I feel very fortunate to live and work with a creative person, whose artistic medium is so vastly different than mine.

Specialties:

GET IN TOUCH ABOUT ELIZABETH

Mediums:

Art Process:

I describe myself as purely a traditional artist. I’ll “clean up” pieces in Photoshop (brightening colours, or adding shading to my inked comics), but besides that I do not work digitally.

My comics are all penciled onto bristol paper, then inked in pen and marker.

My oil paintings are typically done on gessoed masonite board.

I like to work fairly quickly so that I can’t overthink an idea. I may then step away and let it sit for a while before either changing things up or deciding it’s finished.


Damon Lehrer

Concept art

Born in Boston in 1967, Damon Lehrer attended Amherst College and apprenticed to sculptor Philip Grausman in Connecticut. He traveled in Eastern Europe and lived in London during the 90s, then taught art at schools including the Rhode Island School of Design, Boston University, and Lesley University. In 2010 he started the Boston Figurative Art Center. His first children’s wordless picture book, Rocket Boy, was published by David R. Godine in 2017. He lives with his wife and son in Lexington, MA.

What was your favorite book as a child?

It depends which age… In the Night Kitchen and The Phantom Tollbooth, certainly. And Susan Cooper’s books!

What do you love to do for fun?

Play soccer with my 12-year-old son!

Mediums:

Specialties:

GET IN TOUCH ABOUT DAMON

Art Process:

For a book project, I sit at my drawing table and visualize what I need to express. If things go well, I collect a few ideas that I jot down and use as the basis for pencil sketches. I often photograph these basic sketches and import them to Photoshop, where I can play with their tonal parameters and get new ideas. I might play with color at this stage, too. When I feel good about a small drawing, I make a larger drawing on Canson 14×17 drawing paper. I’ll import these into Photoshop and play with them in the same way, and if possible do finishing work and small adjustments.

I find the alternation between drawing with paper and pencil and working digitally really enjoyable. It helps me separate from the drawing and see it in a new way. It also makes me feel very free to take risks with color, image order, and pencil drawing.

Published books:

Rocket Boy, David Godine, 2017

Location:

Visit Damon at:

Awards and honors:

Massachusetts Cultural Council Award in Painting, 2000

Available for School Visits:

I do free-form author visits where I place enlarged posters of pages from my book  at the front of the room. I ask the kids about themselves to loosen them up (what they do, what they like, what they think of the illustrations, etc.) until they start asking me questions. We have fun and I enjoy it.


Kaia Tseng

Concept art

Born in Syracuse, New York and raised in Cupertino, California, Kaia Tseng is a Taiwanese-American illustrator, designer, and entrepreneur. Kaia has been drawing ever since she learned how to pick up a crayon, and has always loved bringing ideas to life in the form of art. By age 15, she began selling her artwork and handicrafts at local conventions. She made her lifelong hobby into her profession at age 24, with the launch of her brand, Kaiami, with the goal of designing products that make people smile and brighten up their day.

Her artwork uses dreamy colors and brings a touch of the fantastical to ordinary moments. In addition to designing for her own brand, Kaia has also produced art for books, games, fashion brands, and galleries.

What is your favorite food?

Carrots have been my favorite food since I was a kid! I have eaten them to the point where my skin turned orange. I also generally like Asian noodle soups (Taiwanese beef noodle and tonkotsu ramen are among my favorites).

What do you love to do for fun?

I love to hold tea parties! I love to get dressed up and drink delicious tea and eat small desserts, but casual tea parties where I can get together and catch up with friends are great too. Aside from that, I’m also a big fan of birdwatching and reading comics.

Mediums:

GET IN TOUCH ABOUT KAIA

Art Process:

I thumbnail my ideas in a sketchbook before starting, and usually the sketch will be done with pencil and paper before moving to the lining phase. I sometimes line using a lightbox on top of my sketches, or scan and line digitally. Nowadays, I do most coloring digitally, but I started out using traditional mediums so I am comfortable with markers and colored pencils as well.

Location:

Visit Kaia at:


Dave McDonald

Concept art

Dave McDonald has worked as a television producer/director, a theme park entertainment show writer (Scooby Doo) and a puppet/costume (Rugrats, Angry Beavers, Richard Scarry) and mascot (NFL Panthers, NBA Hornets) designer and fabricator. He was a puppeteer for a kids TV series and for a touring school production.  He’s the author/illustrator of two humorous early reader graphic novels featuring his original character, Hamster Sam.

When he’s not freelance writing or illustrating, McDonald works as a visiting teaching artist in elementary schools throughout North and South Carolina. His teaching can be found online through the educational platform EPIC! as well as Professor Garfield and on Youtube.

Favorite food:

Steak, medium; with a local craft IPA.

Who were some of your influences growing up?

Silly, slapstick humor is at the heart of what I enjoy most, and so I consumed ample doses of comedy from television cartoons created by Jay Ward (Rocky & Bullwinkle, Super Chicken), Bob Clampett, Tex Avery, Friz Freleng and Chuck Jones (Bugs Bunny), Jim Henson’s Muppet Show and from record albums featuring musical satire and parody by Stan Freberg and Spike Jones.

Mediums:

Specialties:

GET IN TOUCH ABOUT DAVE

Art Process:

The bulk of my work is black and white “comic strip” style illustration and spot art.  I work ‘old school’ using pencil, paper and ink pens. For contracted illustration work, I begin with pencil roughs; typically will send a pic or jpg to the client, and we’ll go back and forth until a “final rough” is approved.  I then ink the work and send along for approval. If color is desired, I’ll use Photoshop for a flat fill (I am not a colorist). Occasionally for puppet designs that include color costuming details, I’ll use Prismacolor markers to create a textured look.

Published books:

The Secret Adventures of Hamster SAM: Attack of the Evil Boll Weevils! (DM Creative) 2008
Hamster S.A.M.  Odd-ventures in Space! (DM Creative) 2013

Awards and honors:

Cartoonist in Residence at the Charles M. Schulz Museum in Santa Rosa, CA, 2011
Graphic novels panelist at the NYC School Librarians Conference, 2013
Featured guest author/illustrator and presenter at the South Carolina Book Festival, 2014

Location:

Visit Dave at:

Available for School Visits:

For over 10 years, “Mr. Dave” has presented education-based arts programming to schools, libraries and museums through his “Kids Make Comics!” assemblies, artist in residencies and workshops.  His programs have been accredited by several state and local arts agencies in North and South Carolina, where he works with hundreds of kids each year through grant-funded visits. His programs combine the best of a traditional author visit with dynamic interactive drawing and writing exercises.  School assemblies are 45 minutes long; students draw along step by step with Mr. Dave to create exciting and original characters, and discover that writing can be just as much fun as drawing!