Gigi Murakami
Black & white
My name is Gigi Murakami, I’m an award-winning manga artist & illustrator, and content creator at the intersection of horror media, Japanese manga and anime, and alternative and nerd culture. My work overall blends Japanese manga art, vintage grind house poster art, and pulp comic aesthetics, while thematically focusing on the dark, dramatic, fantastical, and often introspective.
Colloquially known as “Queen of Horror Manga,” I have a handful of both traditionally published and self-published works, but am most recognized for my supernatural horror manga, RESENTER, which had a one-shot published with Viz Manga.
I’m currently working as art lead and executive producer with the anime company, NLite, on their sophomore film “WEBE”, operating my membership program, Midnight Cult, online store, Gigimurakami.store, and creating content on my social media.
Some fun, notable achievements:
In 2025, I received the Cartoon Crossroads Columbus Emerging Talent Award, presented by Bone creator Jeff Smith and partner Vijaya Iyer. I’ve also worked with numerous brands for social media campaigns, including VIZ, Kodansha, Wacom and more. Another cool thing was being able to be a judge for the Brooklyn Horror Film Fest and facilitate a giveaway between BHFF and Kodansha for lovers of both horror film and manga, like myself.
What was your favorite book as a child?
Probably Corduroy by Dan Freeman. It was actually quite scary for me as a child, but I loved it so much. I think Are You My Mother? by P.D.Eastman is the same for me as well.
What is your favorite food?
I really love Unagi Don–sweet eel over rice! I’m a sucker for fries as well!
Who or what inspires you the most?
I’m highly inspired by mangaka, such as Naoki Urasawa, Junji Ito, Katsuhiro Otomo, and Satoshi Kon. I find all of these creators to be fantastic. Their work has completely blown me away and has pushed me to create better stories.
Available for School Visits:
I’ve mostly been to Art Colleges. I went to the School of Visual Arts a few times, Parsons and the Queens Library. I’m always available to talk to schools and, especially, libraries–libraries were my sanctuary growing up.
Awards and honors:
SPX Ignatz Award 2024 (Nominee)
Cartoon Crossroads Columbus Emerging Talent 2025
Harvey Awards 2025 (nominee)
ALA Outstanding Graphic Novel for Children Awards 2026 (Honor)
Creative Process:
My process for making manga / comics involves creating a short outline of the story. From that outline, I’ll use a Japanese writing structure called “Ki Sho Ten Ketsu” to organize the main beats of the story and thats about as much as I’ll do for the writing process. I have hyperphantasia (vivid mental imagery), so I want to get to the draw stage as quickly as possible so I don’t lose the scenes (and hype) that I created during the outlining stage.
Everything in this part of the process is done in Clip Studio Paint. Once the writing is done, I’ll create a few sketches of the main characters and get their designs settled before moving onto storyboarding. I create the dialogue, character blocking, panels, and panel composition all at the same time— just trying to transfer what’s in my head onto the storyboards. During this process, the whole comic is thumbnail size, but is large enough to cleanly add dialogue and everything else I need. Once I finish, I’ll screenshot each of the pages onto my large size, manga work file, and just trace over my initial sketches and finalize.
My process for illustration is roughly the same, minus the story outline.
What do you love to do for fun?
I enjoy watching movies, reading manga, gaming (although, I don’t have so much time to game these days), and traveling.
Location:
Brooklyn, NY
Published books:
The Sinister Sisters and Other Terrifying Tales – Are You Afraid of the Dark? Graphic Novel #2 (Abrams, 2024)
RESENTER (VIZ, 2024)
Hello Darkness #16 (Boom Studios, 2025)
RAZORBLADES (Tiny Onion, 2025)
Paroxysm Vol V (Mysto Press, 2025)
Forthcoming books:
Mediums:
I started my career primarily using traditional tools, but now use mostly digital tools, such as Clip Studio Paint with my 24-inch Wacom screen display for making manga and comics. For illustrations, I move between digital, watercolor, or Copic markers to get the job done.
Specialties:
Advertising, Black & white, Book Covers, Character design, Graphic novel interior art, Horror, Illustration, Inking, Manga, Middle Grade, Mystery, Packaging, Penciling, Sci-fi, Writing, Young Adult
Visit Gigi at:
Published Books
Dusty Higgins
Black & white
Dusty Higgins is an award-winning cartoonist and illustrator who began his career working in newspapers as an editorial cartoonist, illustrator, and graphic designer. He’s worked in branding and marketing, as a professor of digital media, and as an animator/director (Star Forest). He fell in love with storytelling at an early age, drawing comics in elementary school, later writing and drawing three different comic strips four days a week for his college newspaper.
Higgins’ debut graphic novel, Pinocchio Vampire Slayer, was a 2010 Top Ten Great Graphic Novels for Teens from the Young Adult Library Association. Higgins has a Masters of Fine Arts in Animation from Savannah College of Art and Design, although that’s not nearly as impressive as his homemade pizza, cultivated from years of practice. When he’s not creating or cooking, he enjoys spending time with his wife, two children, two dogs, and a Venus fly trap named Vinny.
What do you love to do for fun?
I grew up waterskiing on the lake with my dad, who did so with his dad, and I happily take my children to the lake to sling them across the water as I continue that tradition.
What cool travel spots would you most highly recommend?
The Ten Thousand Buddhas Monastery in Hong Kong is a treasure I’m happy to have been able to visit. The stairway up the mountain to it is lined with a hundreds of uniquely posed golden Buddha statues, and it was an inspiring place to visit.
Available for School Visits:
I enjoy talking with kids and giving them a behind the curtain reveal of what professional artists do, talking about ideation and explaining how artists start with sketches to create a blueprint, and what that work goes through next. Basically explaining to them why that how to draw books starts with circles and squares to make a bear, and how even people like me still do that. I like to bring in examples of work that I’ve done to show how things get made and what they look like in early examples versus and then show them what the final product that they see actually looks like. I’ve done this both with graphic novels as well as animation. I like to end the presentations with a group exercise, usually letting the students help me ideate a character or a short four panel comic, depending on how much time we have.
Visit Dusty at:
Website: https://dustyhiggins.com/
Instagram: https://www.instagram.com/dusty_higgins
Bluesky: @dustyhiggins.bsky.social
Creative Process:
I once had an older, and wiser, colleague who taught painting describe to me how they would teach students the process of painting using a projected image over time. They began by projecting the image completely out of focus, so that the students would only see blurry shapes. The initial paintings would be abstract forms. But every so often, this professor would tweak the focus, slowly bringing the image into a sharp perspective. Each time, the abstract forms would be rendered to a finer degree, before the students finished their painting. My approach to each project I work on is much the same. I work in digital media, traditional mediums, in motion and static, and even in writing. The method works for all of those mediums, and can even inform a different approach to the medium. Begin simple and broad, then I analyze, refine, and repeat until it’s done.
Awards and honors:
2010 Top Ten Great Graphic Novels for Teens, Young Adult Library Services Association
2015 Junior Library Guild Selection, Junior Library Guild
2017 Junior Library Guild Selection, Junior Library Guild
Specialties:
Action-adventure, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Mystery, Non-fiction, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Writing, Young Adult
Who or what inspires you the most?
Nature. One of my go-to things to do when I’m feeling uninspired is to grab some gouache and my art travel bag, and find a nice spot for some plein air painting.
Published books:
Pinocchio, Vampire Slayer (SLG Publishing, 2009)
Pinocchio Vampire Slayer and the Great Puppet Theater (SLG Publishing, 2010)
Knights of the Living Dead (SLG Publishing 2011)
Turok, Son of Stone Volume 1: Aztlan (Dark Horse 2011)
Pinocchio, Vampire Slayer Volume 3: Of Wood and Blood part 1 (SLG Publishing, 2012)
Pinocchio Vampire Slayer of Wood and Blood part 2 (SLG Publishing, 2012)
Pinocchio, Vampire Slayer: Complete Edition (Top Shelf Publishing, 2014)
Miles Taylor and the Golden Cape: Attack of the Alien Horde (Simon and Schuster, 2015)
Valkyrie Beer Delivery (Stela Publishing, 2017)
Miles Taylor and the Golden Cape: Rise of the Robot Army (Simon & Schuster, 2017)
Forthcoming books:
Location:
Bryant, AR
Mediums:
digital, ink, watercolor, gouache
Published Books
Sarah Cathcart Anderson
Black & white
Sarah Cathcart Anderson is an artist, writer and creative director living in the Pacific Northwest. She has spent many years collaborating with big and small brands, ad agencies and non-profits. Sarah is a graduate of Stanford University, with a theater major, and an alum and former instructor in the Art Center College of Design’s Advertising program. As an illustrator she works both digitally and in ink, pencil and watercolor, creating work that explores the magic and absurdity of the everyday world. When she’s not telling stories and making art, Sarah spends her time detangling her son’s wildly long hair, hanging with her dogs, and eating amazing food cooked by her husband, Food Network personality and Today Show regular Mark Anderson of The Grill Dads. Her family is thrilled she does so little cooking herself.
What was your favorite book as a child?
I loved so many! One of them was definitely Alexander and the Magic Mouse. The illustrations and characters were so vivid for me, and I loved the idea of being trapped in a rambling house reading sea stories and drinking tea with talking animals while a storm raged outside for 30 days and 30 nights. I still do.
Who or what inspires you the most?
My kiddo. He’s brilliant and wild and completely unique. He inspires me every day.
Mediums:
watercolor, ink, pencil, digital
Specialties:
Creative Process:
For me, everything starts with some kind of narrative spark: sometimes it begins with an image, sometimes with words, sometimes with an emotion or experience I’m trying to articulate. Then I grab whatever is nearest—scraps of paper, my notes app, an actual sketchbook (if I’m lucky)—and start scribbling. If I’m starting with words, my next step is to get to my computer and expand on the thought, trying to find the form in the narrative. If I’m starting with a visual, I draw some rough sketches on paper or on my tablet and get to know the new idea a bit. Either way, my next move is to really nail down the manuscript and then draw a loose storyboard so I can see how the story moves and breathes. Then I’ll play around with character design and choose a key moment to explore visually in more depth. I try obvious stuff, weird stuff, go down tangents, and then get to work drawing a more refined version on paper. I usually rough in with a light pencil, then come back with watercolor, then colored pencil, and then scan it into my tablet and noodle around with it in Procreate. At that point I’ll probably bounce back and forth between paper and tablet. Whether I’m writing or illustrating, a really important part of my creative process is to stop at different points and step away—when I come back with fresh eyes, I always find I bring something new to the work.
Location:
Boise, ID
Published books:
Forthcoming books:
Awards and honors:
Available for School Visits:
Visit Sarah at:
Jade Vaughan
Black & white
Howdy, I’m Jade! I’m a comic bookworm currently based in Virginia. You can often find me lost in a library or forest somewhere. For the past few years I have worked multiple part time jobs (the hustle is real y’all) and as the creative director for Kids Comics Unite, a team passionate about fostering community and providing opportunities for kids-ya comic creators.
My fascination with storytelling is rooted from multicultural experiences I had growing up as a traveling military brat, a love for magical girls, and a deep appreciation for worlds you can sink yourself into to go on good ol’ fashion adventures. In my free time I enjoy baking, spilling tea with friends, and dreaming of one day owning a mango tree.
What is your favorite food?
Mangos! In fact, my content is rated M for Mangos. They’re amazing, 12/10.
What inspired you to make comics??
I didn’t think I could make comics for a long time, because I thought they were mostly stories of superheroes in the west or manga in the east. It wasn’t until I found Jen Wang’s Prince and the Dressmaker misplaced on a shelf at a Barnes & Noble, that I realized graphic novels were a thing in the U.S and GASP what — exploring topics like crossdressing in a positive way??
This was during a time when I was figuring out my own queerness, and it was genuinely life changing. It made me realize that creating these kinds of comics was something I absolutely could do!
Mediums:
I primarily use digital, however I have experience with watercolor, ink, and graphite. I would love to use analog tools for early reader comics, picture books, or illustration assignments.
Creative Process:
I usually approach characters first, followed by their world, and what medium (story length & type of art tool) best suits it. I try to grasp a very specific scene in my mind, and everything goes towards getting to that scene! How I get there is part of the fun.
As for coming up with ideas and getting inspired – I like to go on walks, research locations, or sit at a park or forest. They all add to the creative soup. I also like to stick large pieces of paper on the wall and write/tape stuff on it. It’s good to have a tangible vision board to go back to.
Location:
Virginia, US
Awards and honors:
Visit Jade at:
Published books:
Forthcoming books:
Specialties:
Action-adventure, Black & white, Book Covers, Branding, Character design, Coloring, Concept art, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Manga, Middle Grade, Non-fiction, Penciling, Picture books, Slice-of-life, Spot art, Storyboarding, Young Adult
Available for School Visits:
I have not yet presented at a library or school but would love to! I’d happily give presentations on how to make four panel comics, my process making a book or zine, or even give an entire monologue on an ode to the mango while wearing a mango costume.
Philip Cheaney
Black & white
Philip Cheaney was born and raised in rural southeastern Missouri. He is the middle of five children and lived, for a time, on a farm with 16,000 chickens, 40 cats, two goats, a pet possum, and a rotating cast of misfit dogs. He attended school for illustration and graphic design at Missouri State University and later received his MFA in illustration at The School of Visual Arts in New York. In the summer of 2022 Philip attended the La Maison des Auteurs comic and graphic novel residency in Angoulême, France where he wrought into existence the bulk of the idea for his debut graphic novel, Fresh Kills. He lives in Brooklyn with his wife and works as a design director, but sneaks away to the country to go trout fishing when he can.
What do you love to do for fun?
I love trout fishing. It’s kind of like playing a slot machine, but you win fish.
What was your favorite book as a child?
Abel’s Island by William Steig
Awards and honors:
Mediums:
Brush pen with ink and digital
Creative Process:
While I dabble in a large variety of styles and mediums, my go-to medium is a combination of inking with a Pentel brush pen with Dr. Ph. Martin’s Matte Black Star ink or digital brushes with Procreate and then coloring digitally in Photoshop. I enjoy working with a rough, inky line that gives the work a gritty energy. I prefer to work with a limited color palette because of my tendency to become paralyzed with indecision. I always have to sketch and think out the solution on the page.
Location:
Brooklyn, NY
Visit Philip at:
Published books:
Forthcoming books:
Specialties:
Action-adventure, Advertising, Animals, Black & white, Book Covers, Branding, Character design, Coloring, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Packaging, Spot art, Typography, Writing, Young Adult
Available for School Visits:
In my presentations, I like to share my creative process and show how students can come up with their own ideas for crafting stories.
Andy Hirsch
Black & white
Andy Hirsch has worked on everything from licensed books to graphic novels and nonfiction. He is the author and illustrator of many entries across First Second’s hit Science Comics and History Comics series, each of which has been named a Junior Library Guild Selection. His work has been featured on year’s best lists from the American Library Association and the School Library Journal and has been licensed for translation into nine languages and counting. His most recent book, Good Boy, follows a mismatched boy and his dog as they overcome obstacles from bar jumps to anxiety dreams in the exciting world of canine sports.
What do you love to do for fun?
I’ve become a late-blooming fan of recreational sports, specifically volleyball. It’s structured fun, scheduled months in advance — find your local league today!
What was your favorite book as a child?
Hank the Cowdog was my guy. Clearly I’ve adored dogs and detested injustice from day one. To hear my parents tell it, I only accepted our move to Texas when I found out the bookstores here stocked Hank.
Awards and honors:
American Library Association Best Graphic Novels for Teens 2013 – The Royal Historian of Oz
School Library Journal Best Graphic Novels 2017 – Dogs: From Predator to Protector
American Library Association Best Graphic Novels for Children 2021 – The American Bison: The Buffalo’s Survival Tale
Junior Library Guild Gold Standard – Dogs: From Predator to Protector, Trees: Kings of the Forest, Cats: Nature and Nurture, Rocks and Minerals: Geology from Caverns to the Cosmos, The American Bison: The Buffalo’s Survival Tale, The Transcontinental Railroad: Crossing the Divide, Electricity: Energy in Action, Human Spaceflight: Rockets and Rivalry
Creative Process:
My initial layouts are jotted down on index cards. This lets me see whole scenes laid out at once and frees me to iterate on pages in no time flat. From there I work entirely digitally, moving to Clip Studio Paint for a rough art draft. I letter early in the process because I believe balloons and captions are as important as anything to panel composition and page flow. Since I write my own books, I can even take the opportunity to tweak my script as I go. I do a second pencil draft as needed before inking, and then I export my pages to Photoshop for coloring.
Location:
Farmers Branch, TX
Specialties:
Action-adventure, Animals, Black & white, Book Covers, Character design, Coloring, Editorial, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Middle Grade, Non-fiction, Penciling, Spot art, Storyboarding, Writing, Young Adult
Mediums:
Digital
Published books:
The Royal Historian of Oz (SLG Comics, 2011, artist)
Garfield vol. 2-9 (BOOM! Studios, 2012-2015, artist)
The Baker Street Peculiars (BOOM! Studios, 2016, artist)
Varmints (First Second, 2016)
Dogs: From Predator to Protector (First Second, 2017)
Trees: Kings of the Forest (First Second, 2018)
Cats: Nature and Nurture (First Second, 2019)
Rocks and Minerals: Geology from Caverns to the Cosmos (First Second, 2020)
The American Bison: The Buffalo’s Survival Tale (First Second, 2021)
The Transcontinental Railroad: Crossing the Divide (First Second, 2022)
Electricity: Energy in Action (First Second, 2023)
Human Spaceflight: Rockets and Rivalry (First Second, 2024)
Forthcoming books:
Good Boy (First Second, 2025)
The Senses (First Second, 2026)
Visit Andy at:
Published Books
Coco Ouwerkerk
Black & white
Coco Ouwerkerk (1992, known online as Colourbee) is a comic artist/animator, born and raised in Arnhem (Netherlands). Studied two years at ArtEZ Comic Design and three years at HKU 2D animation and obtained her HBO diploma there.
She has published “Small Press” comic books since 2016, including: Colourbee in de Pocket, L.O.C.O, The Meeting, together with two friends the manga Oyasumi. In 2023 there was a successful kickstarter for a small press along with 4 others with 18+ comic shorts called Sticky Pages.
Her debut album, Acception #Losers, was released in December 2017 by Uitgeverij Syndikaat.
This album was nominated for “Youth Album of the Year” in 2018. Since January 2019, Acception has been published together with WEBTOON as a digital comic, which can be read for free in English, French, and Spanish on the WEBTOON app. With more than 900k followers, Acception is Coco’s greatest success yet. You can now read 6 seasons on WEBTOON and there will be more to come. In the Netherlands, Volume 1: #Losers, and Volume 2: #Friendship, are now available as Dutch comic albums. In 2025, volume 1 and 2 will also be released in the USA by Publisher WEBTOON UNCROLLED. Volume 3 and more will appear at a later date in both Dutch and English.
What do you love to do for fun?
Watching anime, reading comics, big fan of Nintendo games and playing TCG like Pokemon/Digimon/Yu-gi-oh.
Making Japanese snacks like onigiri and takoyaki.
Staying in and playing games with my boyfriend or going for a walk in the woods or city together.
Do something with friends. Drawing, watching movies, playing video games.
Who or what inspires you the most, and why?
Animals and nature inspire me a lot. A lot of fashion elements in Acception can be traced back to something animal or nature related. These things inspired my favorite shows like Pokemon, which uses animals as inspiration. Or Bluey, which uses every breed of dog. Or Myths, which uses reptiles to imagine dragons, etc. I love fantasy animals based on what we see around us. It makes you feel more one with nature if you see art inspired by it. It’s something we are all familiar with.
Awards and honors:
Nominated for youth comic of the year 2018 (Netherlands)
Location:
Mediums:
Creative Process:
Art Process for personal comic projects:
I make clear character designs. Colouring moodboard. Design the overall style. Write a finished story with clear genre for the target audience. With a somewhat open middle to be able to change stuff for the better if needed. But the beginning/middle/end is there. I thumbnail the pages. While making the pages I sometimes see better ways to illustrate the story and change small parts for better storytelling. I mostly work digital but for short comics I work with watercolor, copic markers, ink, pencils. When my comic is finished I print it and sell it on markets and online. I’ll make sure to promote my comic before it’s finished.
Art Process for assignments:
I first want to call or in real life meeting with my project partners/client to make a clear plan. I also would like to set up either an app or group discord to contact for quick questions if needed. If the assignment is only for a few illustration or a small project I’ll handle that with emails and calls. I will let the client know the steps I take and ask what steps they want to see from me. I always show sketches and ideas first. Then the finished black and white and lastly the colored version. Every round I want feedback if needed so that there is no confusion in the project. And we don’t have to do changes in the end.
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Drama, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Manga, Middle Grade, Moving storyboard, Non-fiction, Penciling, Picture books, Romance, Sci-fi, Slice-of-life, Storyboarding, Toy design, Writing, Young Adult
Visit Coco at:
Colourbee.co (still working on the website, nothing to see yet)
Instagram: Colourbee4 https://www.instagram.com/colourbee4/
WEBTOON creator profile: https://www.webtoons.com/p/community/en/u/colourbee
Forthcoming books:
Published books:
Acception Volume 1 & 2 (DUTCH) (Syndikaat, 2017)
Acception Volume 1: Losers (ENGLISH) (Webtoons Unscrolled, 2025)
Acception Volume 2: Friendship (ENGLISH) (Webtoons Unscrolled)
Available for School Visits:
I have visited highschools for presentations about how I got to becoming a Webtoon artist.
I visit my old art school once a year to teach a comic project for a week. And also do presentations on how to start a webcomic.
I have been asked to do some art-related workshops, from coloring for kids to making your own button to model art workshops. Or presentations about my work to comic-related events. Been on 2 different panels, one at Dutch Comic Con and one in Rotterdam Comic Con.
I’m not really open to do them much because I’m really busy with my Webtoon work so sometimes I have to say no. But once every few months is fine. I like to be around people so I try my best to make time.
Published Books
Nico and Candy Robertson
Black & white
Hi, we’re Nico and Candy Robertson, a husband-and-wife creative duo who have been making things together since 2000, when we first met in high school art class. We are graphic, toy, and garden designers originally from New Zealand and Hong Kong, but now living on a thickly forested hill near Ballarat, Australia.
Our toy designs have been stocked everywhere from one-star-rated eBay sellers to fancy museums like MoMA, NYC. Over the years, we’ve had work featured alongside some pretty famous brands, but we’re most proud of being on wedding and birthday cakes. Oh, and read as someone’s favourite book. That is just incredible!
We are the creators of Noferin, Pecanpals, Jibibuts, Roobee Roo, and Archie & Reddie.
What was your favorite book as a child?
Neither of us grew up in houses filled with books. And whilst Nico at least has fond memories of teachers reading stories at school, young Candy had nothing more than study-aids. Poor little Candy. In fact, it wasn’t until years later, when Nico read Roald Dahl’s BFG aloud, that Candy realised how spellbinding books could be. So it’s only been in our adult lives that we’ve truly discovered the magical world of children’s books.
Nico’s favourite books are: Winnie-the-Pooh by A.A.Milne and E.H.Shepherd, Le Petit Nicolas by René Goscinnny and Jean Jacques Sempé, Maison Ikkoku by Rumiko Takahashi, and Yotsuba by Kiyohiko Azuma.
Candy’s favourite books are: Moomin by Tove Jansson, Richard Scarry’s books, Miffy by Dick Bruna, and Dr Slump by Akira Toriyama.
What is your favorite food?
Certain brands of Australian milk. When we travel, that’s the only thing we truly miss. It’s sweet and creamy and just oh so good!
(We’re big fans of all food, but if we had to choose one cuisine, it would be Japanese.)
Who or what inspires you the most, and why?
The legacy of work left by Tove Jansson (Moomin). It’s a body of work that is both foreign yet familiar, strange yet soothing, quiet yet loud. It speaks to an inner voice that one didn’t know existed, and it lingers long after viewing. Story and characters aside, Tove’s work is populated by a strong design sense that has enabled her family to continue developing her world long after her passing; a rare gift that enables her characters to find new audiences and rekindle long-forgotten relationships with old readers. We just love that.
Awards and honors:
ARCHIE & REDDIE – I REALLY DIG PIZZA! 2022 Junior Library Guild selection
What do you love to do for fun?
Make things together. We love gardening, hiking, getting lost in forests, painting, cooking, designing, anything really. We just love making things and enjoy the process of seeing something evolve from nothing. The concept of “retirement” is completely foreign to us. How can you ever stop making things?!
Creative Process:
We work very closely together on all of our projects. Sometimes things start as an image or a visual feeling, like a certain expression, colour, or an experience that needs capturing. Other times it’s a certain joke, hook, or character flaw that we’d like to explore more.
To start, Nico distracts Candy with an important task, then he sits by himself in a dark corner somewhere and writes as many treatments of an idea as he can. If he’s on a roll, he’ll sketch some ideas to go with the notes. Once Candy has rejected all the nonsensical ideas, we get to work fleshing out the ones that do work. We write and draw together, scribbling a tree’s-worth of paper and HB pencils, until critical-mass is reached and we split into our main strengths: Nico on words, Candy on art.
After that, we become gardeners, watching unexpected things grow from unexpected places. Candy always sketches everything out with pencil on paper first. They’re pretty tiny at this stage, but all the details are there. Sometimes Candy will interpret something in a completely unexpected (but better) way. So we rewrite. Then we rewrite again. We redraw. Then redraw again. Once we’re happy with the overall flow, Candy digitally inks the sketches, sets up the colour palette, and then lets Nico fill in the blanks.
Eventually we end up with something worth sharing. So we send it to someone we trust, get their feedback, and the whole process starts all over again.
Location:
Visit Nico and Candy at:
What cool travel spots would you most highly recommend?
Kiso Valley in Japan. Beautiful views, historic villages, incredible walks, wonderful food, amazing details to notice (like little mosses and fungi growing on path markers), friendly locals trying to sell you moldy sweet potato, and abundant onsen. It really is the most magical place.
Forthcoming books:
Published books:
ARCHIE & REDDIE series of 4 books (Razorbill/PRH USA and HarperCollins ANZ, 2021)
ROOBEE ROO series of 21 books (Hachette ANZ, First 5 books published in 2023)
Mediums:
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Game Design, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Manga, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Slice-of-life, Spot art, Writing
Available for School Visits:
We love working with people, particularly young children. Whilst our current IRL visits are confined to Australia, we more than make up for this through our creative and enthusiastic virtual presentations. We enjoy turning our readings into theatrical plays, making full-use of music, animation, and hands-on props and sets. We get a kick out of designing special activities for audiences to participate in and are always keen to connect with readers in new ways.
Published Books
Tracy White
Black & white
Tracy White is a cartoonist and teacher. She believes stories can change the world.
Her current book, Unaccompanied: Stories of Brave Teenagers Seeking Asylum tells the true experiences of brave teens fleeing their home countries to seek asylum in the U.S. Based on extensive interviews Tracy helps us understand why some young people would literally risk their lives to seek safety in the U.S. Each one of them has been backed into a corner where emigration to the U.S. seems like their only hope.
Unaccompanied was nominated for a Cybil Award and is a YALSA Great Graphic Novel.
Tracy’s first graphic novel, How I Made it to Eighteen: A Mostly True Story, was a Bank Street Book of the year, a YALSA Great Graphic Novel, and a Texas Maverick Graphic Novel. Her webcomic TRACED was nominated twice for an Ignatz and was a TV series for Oxygen TV.
When not making comics, she’s a mom, cat wrangler, and daily dark chocolate eater who enjoys nature walks even though she lives in a city.
What was your favorite book as a child?
My favorite book as a child was Where the Sidewalk Ends by Shel Siverstien – it’s like a comic in poetry. The words and images together create that beautiful third idea (Scott Mccloud’s term). It’s one of my favorite tools in the comics tool box.
What is your favorite food?
I eat three squares of dark chocolate every day – sometimes four.
Mediums:
Specialties:
Location:
New York City
Visit Tracy at:
www.traced.com
www.twitter.com/tracedcomics
www.instagram.com/tracedcomics
www.facebook.com/tracedcomics
www.bsky.app/profile/tracedcomics.bsky.social
Art Process:
I start with words, lots of them on lined paper, writing by hand and skipping every other line. Most of my work is non fiction so there is LOTS or research involved which means: interviews, transcriptions, reading, listening, watching – eventually organizing by color coding then index cards until I get to the WRITING! I always write with a blue ball point pen. I keep adding to my manuscripts to see what is underneath my original idea. I find that if I keep adding rather than editing at first, ideas will form that were behind the original thoughts and that helps shape the narrative. Then I write a script and start doodling alongside it images that pop into my mind – very rough. Eventually the script moves to the computer. I print it out and carry it around with me for a while jotting down notes – I rewrite, print, repeat. A lot.
Then it’s the drawing phase. Very loose thumbnails that very slowly become more refined. Somewhere in there I start doing character sketches. I check in with a few trusted folks just to see if what I think I’m communicating is being communicated. I do pencils on paper then I move that all to CSP or to PS. My last book was done in CSP and moved to PS for the typography. I spend many many hours drawing until it feels just right.
Awards and honors:
Yalsa great graphic novel
Bank street book of the year
Texas Maverick Book list
Cybilis Award shortlist – Unaccompanied
ALA’s Great Graphic Novels for Teens 2024 list – Unaccompanied
Forthcoming books:
Published books:
How I Made it to Eighteen, a mostly true story (Roaring Brook Press, 2010)
BORDERx: A Crisis in Graphic Detail , (BORDERx Projects, contributor 2021)
Draw The Line, (Street Noise Books, contributor 2022)
Unaccompanied: Stories of Brave Teenagers Seeking Asylum, (Street Noise Books, 2023)
Available for School Visits:
I LOVE to speak at schools, libraries, and universities. I am a teacher and have done workshops and discussions for grades 5 through college. Also grownups!
These engrossing workshops can be tailored to your specific needs and are between 60 and 90 minutes long (or short!). I can partner with you to create the perfect custom workshop or discussion for your needs. For anyone interested in non-fiction graphic storytelling. No drawing experience necessary!
Current specific workshops around Unaccompanied are here:
https://www.traced.com/workshops/
Please reach out to me WORKSHOPS@TRACED.COM to schedule a visit. See you soon!
Published Books
Olivia Li
Black & white
Olivia Li is a cartoonist, multidisciplinary artist, and organizer based in Queens, NY. She’s particularly interested in telling coming-of-age and self-discovery stories of queer, POC protagonists, and portrayals of lived experiences of mental illness. Her comics dive into this focus through magic, myth, and the lives of urban ambiverts. She has edited two indie comics anthologies and has recently started dipping her toe into small press publishing under the banner of Lenticule Press.
What was your favorite book as a child?
As a small child I had a collection of Leo Lionni picture books that I read over and over. I love his soft yet bright imagery, his use of different collage and painting techniques for texture, and the fact that all those melancholy stories probably gave me depression haha. As a medium-sized child, it was all Tamora Pierce and other fantasy adventure stories, plus any kind of myth or fairy tale retelling I could find.
What is your favorite food?
It’s a tie between xiao long bao and really good grapes
What do you love to do for fun?
Getting through my daunting piles of books I’ve bought but haven’t read yet, textile crafts (mostly embroidery and cross-stitch), mahjong, cooking and baking, running around New York with pals, pet every cat, accidentally getting caught up in random design projects (right now I am casually trying to design the perfect work backpack for the art/design freelancer who travels a lot and carries a million supplies).
What cool travel spots would you most highly recommend?
The parts of travel I remember most vividly are the ones that spark my visual imagination, landscapes and structures so different from what I’m used to that my mind starts making up stories that could only be set here. My top three so far: 1) the cable car up to Tian Tan Buddha in Hong Kong, 2) the Road to Hana on Maui, and 3) the tiny little side streets in Venice. Also: I love hanging out in graveyards, because I am a spooky ghost.
Who or what inspires you the most, and why?
The stories I always go back to are the ones you find in mythology, fairy tales, folklore. There’s something I really love about the fact that cultures all around the world kept making up the same stories to tell each other. The root of storytelling is human connection, how cool is that! That’s what I’m trying to do, make stories that come from my experiences and see who they connect with.
Art Process:
My illustrations and comics nearly always start life as messy little pencil drawings that are barely legible to other people, so I can figure out compositions without getting too precious. After what I call the “sloppy thumbnails” stage, I move onto digital (in my primary workflow, at least, since it’s better than traditional for my hand and wrist, and offers more flexibility). Here’s where I draw cleaner thumbnails and layouts (and sometimes color-blocking), then pencils and lettering, then inks and colors. For client work, I will show each stage for review and adjustments before moving to the next; I submit several options at the “clean thumbnails” stage if a composition/design needs to be made by the client.
I currently use Clip Studio Paint on my iPad as my primary drawing software, and sometimes Adobe Fresco. I’m proficient in Adobe Photoshop, Illustrator, InDesign, Premiere, and After Effects.
Available for School Visits:
It’s been a few years, but I’ve taught single- and multiple-week comics workshops for age ranges 6-8 and 8-14, and am open to doing more! These consisted of comic formats and basic story structure, leading up to each participant making their own stapled mini-comic.
Mediums:
Mostly digital these days, sometimes ink on paper
Specialties:
Action-adventure, Black & white, Book Covers, Character design, Concept art, Editorial, Fantasy, Graphic novel interior art, Illustration, Indie comics, Inking, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Writing, Young Adult
Forthcoming books:
West Middle Mirror (Andrews McMeel, Fall 2026)
Published books:
Location:
Queens, NY
Visit Olivia at:
Awards and honors:
MICE Mini-Grant recipient (2019) for Good Morning, Gorgon!
