Brian Schatell
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I draw silly animals for a living. I am the illustrator of 16 books for children, mostly picture books, some of which I have also written. I taught children’s book illustration and writing for twelve years at Parsons School of Design, and for sixteen years served as chair or co-chair of the Rutgers University Council on Children’s Literature’s annual One-on-One Conference for aspiring authors and illustrators. I’ve also done extensive illustration work for the children’s educational market and for the children’s apparel industry. Aside from my career creating art for children, I have a long list of diverse and eclectic interests/hobbies for which I have great passion but not enough hours!
What do you love to do for fun?
Visit used bookstores and used record stores.
What is your favorite children's book?
Frog and Toad Are Friends, by Arnold Lobel. The greatest book ever written in the English language and everything that I aspire to as an author/illustrator of children’s books!
Mediums:
Specialties:
Advertising, Animals, Black & white, Board books, Character design, Editorial, Graphic novel interior art, Humor, Illustration, Picture books, Writing
Art Process:
For many, many years I’ve kept a small notebook in my back pocket. When inspiration strikes I’ll quickly sketch or jot down an idea, a character, a line of dialogue, a turn-of phrase. These stray bits and pieces accumulate over time until they gradually coalesce into a book concept with a beginning, a middle, and an end. It’s an organic process. I currently have folders full of these scrips and scraps at various stages of gestation.
All of my illustrations contain some kind of black line art, and all of them begin with me sketching by hand with pencil on tracing paper. Lots and lots of tracing paper! Then depending on how I want the finished product to appear, there are three ways I might proceed. I will either scan the pencil sketch into the computer and use it as a template to draw the final line art digitally, or more commonly, I will develop the sketch into an black ink drawing on paper and then scan the completed black line into the computer to color digitally. Or option three, where I don’t scan anything at all and just watercolor the line art. Whatever the method, I expend a great amount of effort to make sure that the final art retains the spontaneity of my original pencil sketches.
Though I specialize in drawing funny animals in funny situations, (I’m partial to cows and chickens) I’m nevertheless interested in stories that are character driven and that have emotional resonance – not a contradiction, actually. The most important attributes of children’s book illustration in my mind are character and emotion, balance and clarity, flow and pacing. My rule is that every little thing put on the page should be there for a reason.
Forthcoming books:
The Bumble Brothers: Crazy for Comics (Reycraft, 2022)
Published books:
Selected Titles:
Farmer Goff and His Turkey Sam (Lippincott, 1982)
Two Crazy Pigs (Scholastic/Cartwheel, 1992)
Pup and Pop (Scholastic/Cartwheel, 2003)
Owl Boy (Holiday House, 2016)
Location:
Available for School Visits:
I love to do school visits. I have a two-part presentation, geared towards younger grades. Part one covers authors, illustrators and the book making process, from initial idea through writing, sketching, final art and printing, with visual examples. In part two, the students are the authors and I am the illustrator, as I draw an impromptu story from audience suggestions.
Katie Risor
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Katie Risor is a professional illustrator, author, and designer creating fantastical storybook art in San Antonio, Texas. Growing up on books like The NeverEnding Story, Mary Poppins and Winnie the Pooh and playing outside every day with her friends led her to create art and stories inspired by nature, everyday experiences, and a little bit of magic.
Professionally, Katie works on picture books, covers, advertising, product design, and book design. She also enjoys geeking out about art supplies and teaching the fun of creativity to others. You can see her tutorials on Tik Tok and Instagram.
Why do you like to draw creatures?
A lot of ingredients went into my brain and came out as my creatures. The true inciting incident is when I got The NeverEnding Story from Blockbuster when I was about ten years old. I watched that movie, and Falcor’s been flying up in my brain ever since. Before that, Snuffleupagus was my favorite Sesame Street character and I’ve always loved fairies, dragons, gnomes and such. But Falcor was life-changing.
Specialties:
Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Lettering, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Slice-of-life, Spot art, Storyboarding, Writing
Art Process:
Every project, whether it’s a single illustration or an entire book, starts with an idea. Ideas can pop into my head anytime, but whenever I want to get a new idea I lay on the floor, close my eyes, and wait. Laying on the floor with properly inspiring music will usually give me something.
Next is brainstorming and iteration. For a whole book, this means sketching and storyboarding. For a single illustration this means doing iterative compositional sketches. I want to choose a composition that effectively delivers information to the viewer but is also pleasant, surprising, or delightful to look at, something that goes beyond the main idea.
The best illustrations I do always come from ideas I can see clearly in my head and for which I have a solid execution plan. However, I do like to leave room in the process for playing around. I think that’s why I like traditional media so much; no matter how much you know about the medium, you can’t be fully in control.
Mediums:
Location:
Visit Katie at:
Available for School Visits:
I love teaching art workshops for kids of all ages, but especially youngsters. I showcase the design process and inspire kids to tap into their own creativity. I do demos on “what if” storytelling, comics, drawing fantasy creatures, and painting.And finally, I explain the book making process and what sort of jobs creative kids can go into.
Turtleboat
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Turtleboat is a comic book artist and illustrator based in NYC. He works primarily with pen and ink, and colors either digitally or with watercolor. His clients include Okayplayer.com, Random House, and VOX Media.
In his free time he watches highlights of PRIDE FC and K1 Championships, or collects reference photos from Pinterest and photo books. He also has a grey cat named Kato.
What was your favorite book as a child?
Favorite comic book growing up was definitely Dragon Ball by Akira Toriyama.
What is your favorite food?
Favorite food is Korean braised beef stew made by my mom.
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Manga, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Writing, Young Adult
Art Process:
I start off with loose pencil sketches. After that, I spend a good chunk of time finding the correct reference materials. If I can’t find them, I pose for them myself (LOL).
Once the pencils are roughly in place, I utilize a lightbox to ink with a combination of nib pen, microns and brush. I scan the finished inks, and decide to either color traditionally with watercolor, or digitally with Photoshop. Once the back and neck aches start creeping in, I step away and stretch or workout a little bit. Then, back to the drawing!
Published books:
Awkwafina’s NYC 2015 – illustrator, sketch
Pankronicles: Early History of MMA – illustrator for Youtube series under Bloody Elbow, VOX Media
Mediums:
Location:
Visit Turtleboat at:
Available for School Visits:
I’ve spoken at a panel for comics creators at the Queens Book Festival, as well as at a program for high school students at the New School. I enjoy presenting about the craft of comics
Awards and honors:
Silent Manga Audition, Coamix – SMA5, Award Nominee
Silent Manga Audition – SMA4, Award Nominee
Rivkah LaFille
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Rivkah LaFille (pronounced “lah-fee”) is a children’s illustrator, writer, designer and graphic novelist living in Austin, TX. Her graphic novel series, Steady Beat, was nominated to the American Library Association’s Great Graphic Novels for Teens list. She was nominated as a Lulu of the Year by Friends of Lulu for her work in promoting women in comics, and she won the Austin SCBWI Portfolio Showcase Award, presided over by Caldecott winner and New York Times bestselling author, Dan Santat.
In the early 2000s, she was the publisher and art director of a small literary publishing house, Rabid Press. Her “eureka!” moment happened when one day she woke up and realized she was going to make comics for the rest of her life instead. She did. She does. And she hasn’t looked back since.
Currently, she is illustrating a graphic novel with First Second, another with Candlewick, teaching comics-making classes, and making magic!
What was your favorite book as a child?
Miss Rumphius is STILL one of my favorites. It’s all about leaving the world a better place than we found it, which is basically my life motto.
What do you love to do for fun?
Gardening is my Happy Place. There is something so satisfying in taking care of a plant from seed, watering it, tending it, and watching it turn into a fruit or vegetable that you can eat. But watching the cycles of nature reminds me of the cycles within my own life: that even as the world grows and blooms and dies, new life is born out of it once again.
Mediums:
Specialties:
Action-adventure, Advertising, Black & white, Book Covers, Coloring, Concept art, Fantasy, Graphic novel interior art, Illustration, Inking, Middle Grade, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Writing, Young Adult
Art Process:
My art process is a balance between logical problem-solving and creative intuition. I begin by thinking about the project as a whole: what is the tone, the technique, the style that would best suit this project? What is its age range? What’s the timeline? Every project has different demands, and before I start drawing, I think of what those demands are and how to answer them.
The rest, however, is largely a matter of doing and refining. Whether I’m creating fast and loose storyboards or finely detailed picture books, working in digital or analog mediums, the end result is an editorial style that refines itself with every step until it becomes exactly what the project needs: something that speaks loudly and clearly to my audience!
Published books:
STEADY BEAT v1 – Tokyopop – 2005 (YA LGBTQ+ graphic novel)
STEADY BEAT v2 – Tokyopop – 2007 (YA LGBTQ+ graphic novel)
MANGAKA AMERICA – HarperCollins – 2007 (tutorial book)
CREATIVE WRITING WITH MISS MARY MAC – First Second – date TBD (nonfiction graphic novel)
Location:
Visit Rivkah at:
Available for School Visits:
I love talking to (and with) students! My talks range from discussing my comics-making process to more inspirational-type discussions about finding your path in life and how to not be afraid of making mistakes…and to learn and grown from them! I specialize in talking to teens and tweens, but also adults wanting to make graphic novels for ages babies to teens.
Awards and honors:
Nominated to the YALSA GREAT GRAPHIC NOVELS for TEENS List in 2007
Friends of Lulu Award 2007 – Nominee
Winner of the 2019 SCBWI Portfolio Showcase Award (and runner up previous two years) presided over by Caldecott Winner Dan Santat
Joe Latham
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Joe Latham is an illustrator and graphic designer based in Bristol, UK. He cut his teeth creating custom MySpace Pages (RIP) for bands, which lead to a lot of interesting projects. From designing bespoke Golf Balls for celebrities to animating music videos for Cradle of Filth, Joe has done design work for Jilly Cooper, The Joy Formidable, Five Seconds of Summer, Uniform Dating, Ok Cupid, IndieGoGo, a number of UK Universities, Sony Music, and Warner Music, to name a few.
Joe has self-published a number of comic books and regularly exhibits at UK comic festivals. He’s planning to exhibit at other European and International festivals in the future. He loves meeting people and talking to them about his work.
What was your favorite book as a child?
Winnie the Pooh, or possibly The Giraffe, The Pelican and Me. It’s a tough call, because Roald Dahl was exciting in a way that other books have never been, but Winnie the Pooh has stayed with me forever. I used to take a collected version to my Mum’s piano lessons when I was a kid, and sit there next to a stinky gas fire with a tubby black-haired scotty dog. The dog would lay on its back getting a weird sunburn on its belly from the fire (and it would fart, all the time).
What cool travel spots would you most highly recommend?
Copenhagen, for its incredibly comfortable culture, amazing pastries (get a hot cinnamon swirl, your life will never be the same again), great coffee and beer, cool electric city bicycles, amazing museums and great food.
I’d also recommend Berlin. It’s an amazing place, though it changes every year. It never sleeps. Seriously.
One of the happiest times of my life was driving up the West coast of the USA. We hired a car and drove from San Francisco up to Portland. It was the most free I’ve ever felt, and I hope to go back one day for longer adventures.
Art Process:
I like my work to feel tangible and retain a sense of the energy you get from those early drawings, so I try to make sure the final pieces are refined enough, yet expressive. It means that each stage of the process is relatively quick in order to keep some of that feeling.
Typically I draw my thumbnail sketches with a Fountain Pen, then using a smaller paper size I will draw the final piece in rough using Blue Col-erase pencils (these are used a lot by animators – they don’t smudge yet aren’t too hard, so you can be nice and expressive). I then scan this, print it faintly on to smooth finish (hot press) Watercolour paper (it has a touch more tooth than Bristol board so I find it suits my inking style better – less smudges). Then I ink over this, mostly using a Kolinsky Sable no6 brush and a pot of ink, some fine liner work in there too. Scan it, colour it using Photoshop and an array of collected brushes that I’ve picked up down the years. I have a small handful that I return to most often.
Mediums:
Location:
Visit Joe at:
www.lookhappydesign.com
www.instagram.com/joe_latham_illustration
www.twitter.com/Lookhappy
www.etsy.com/uk/shop/LookhappyShop
www.gumroad.com/lookhappy
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Writing, Young Adult
Available for School Visits:
Yes.
Andi Watson
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I was born and raised in Kippax, a small town in Yorkshire, England. I spent half my life playing outdoors with my brother and friends and the other half reading, drawing and watching TV. Despite being in awe of the power of stories I was intent on being a car mechanic. Eventually I realised I had no interest in cars and even less talent for fixing things and went to art school in Liverpool. I rediscovered comics, made one of my own, graduated and continue to make more.
I’m still in awe of the power of stories and the satisfaction and challenge of telling my own through words and pictures. I live in Worcester with my wife and daughter.
What is your favorite food?
I like Brussel sprouts and broccoli but shiver in horror at courgettes. Brrrr….courgettes.
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Middle Grade, Non-fiction, Packaging, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Writing, Young Adult
Published books:
- Kerry and the Knight of the Forest (graphic novel) Random House Graphic, 2020
And many others… click here for a complete bibliography.
Location:
Mediums:
Art Process:
Everything starts with a pencil and paper, whether it’s noting down story ideas or thumbnailing images. I think with a pencil and problem solve on paper. No Moleskine notebooks for me, I use the back of old print outs and bills. Whatever’s to hand and I’m not precious about.
Once I have an idea I’m happy with I’ll move to pencil on paper. When I’m satisfied with the sketch I’ll use pen, brush, ink to complete the art. I try to balance a liveliness of line with control and clarity. Then I’ll scan it in and use Photoshop to tweak and colour.
Available for School Visits:
When I do school visits, I collaborate with the children to create an improvised comic story from their suggestions.
Visit Andi at:
www.andiwatson.info
www.instagram.com/andicomics
www.twitter.com/andicomics
www.patreon.com/andiwatson
www.andiwatson.bigcartel.com
www.gumroad.com/andicomics
Awards and honors:
Eisner, Best Graphic Album Reprint nomination 2000: Geisha
Eisner, Best Limited Series nomination 2001: Breakfast After Noon
Harvey, Best New Series nomination 2004: Love Fights
Eisner, Best Publication for Kids nomination 2009: Princess At Midnight
British Comics Awards, Young People’s Comic Awards nomination 2012. Gum Girl: Catastrophe Calling
Kaia Tseng
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Born in Syracuse, New York and raised in Cupertino, California, Kaia Tseng is a Taiwanese-American illustrator, designer, and entrepreneur. Kaia has been drawing ever since she learned how to pick up a crayon, and has always loved bringing ideas to life in the form of art. By age 15, she began selling her artwork and handicrafts at local conventions. She made her lifelong hobby into her profession at age 24, with the launch of her brand, Kaiami, with the goal of designing products that make people smile and brighten up their day.
Her artwork uses dreamy colors and brings a touch of the fantastical to ordinary moments. In addition to designing for her own brand, Kaia has also produced art for books, games, fashion brands, and galleries.
What is your favorite food?
Carrots have been my favorite food since I was a kid! I have eaten them to the point where my skin turned orange. I also generally like Asian noodle soups (Taiwanese beef noodle and tonkotsu ramen are among my favorites).
What do you love to do for fun?
I love to hold tea parties! I love to get dressed up and drink delicious tea and eat small desserts, but casual tea parties where I can get together and catch up with friends are great too. Aside from that, I’m also a big fan of birdwatching and reading comics.
Mediums:
Specialties:
Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Manga, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Writing, Young Adult
Awards and honors:
City of Cupertino Fine Arts Commission Distinguished Artist Gold Award 2019-2020
Art Process:
I thumbnail my ideas in a sketchbook before starting, and usually the sketch will be done with pencil and paper before moving to the lining phase. I sometimes line using a lightbox on top of my sketches, or scan and line digitally. Nowadays, I do most coloring digitally, but I started out using traditional mediums so I am comfortable with markers and colored pencils as well.
Location:
Visit Kaia at:
Mike Sgier
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Mike Sgier is a cartoonist and printmaker based in Philadelphia. Born and raised outside of Denver, Mike received a BFA from Creighton University, and an MFA from the Minneapolis College of Art and Design. He has been making comics since 2006, exploring a wide range of genres in the medium, including autobio, indie romance, and humorous sci-fi. His current comics are based in the fantasy genre, following an array of characters in a world called Vespers.
Mike is an active member of BYO Print, a printmaking studio and collective in Philadelphia.
What was your favorite book as a child?
A tie between ‘James and the Giant Peach’ by Roald Dahl, and ‘The Mouse and the Motorcycle’ by Beverly Cleary.
Favorite travel spots:
Dublin, Ireland and Kyoto, Japan
Mediums:
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Character design, Concept art, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Manga, Middle Grade, Non-fiction, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Writing, Young Adult
Art Process:
My creative process starts by drawing quick, small thumbnails of the image, trying out different compositions, and determining which visual elements will be used. Based on these quick drawings, I’ll complete 3-4 small drawings (around 4.25” x 5.5”) with the basic elements in play, but still not too detailed. These drawings help to give an idea of where the image can go, but also help to determine if different routes are needed to achieve the result the client is seeking.
Once a drawing is approved by the client, I transfer it to a fresh sheet of paper where I finish it, most often with pen and ink. Then I scan and clean it up, adding digital techniques if necessary.
For relief printmaking, I transfer the drawing to a block of wood or linoleum, carve it, and pull prints from the block. This process may add more time, but it can also provide the image with a singular expressive element.
Location:
Visit Mike at:
Published books:
Once Upon a Time Machine Vol. 2: Greek Gods and Legends (Dark Horse Comics, 2018)
Little Nemo: Dream Another Dream (Locust Moon Press, 2014)
Quarter Moon (Locust Moon Press, 2013-2015)
Colonial Comics – New England, 1620-1750 (Fulcrum Publishing, 2014)
Rock Ink Roll (Altered Esthetics, 2013)
Lutefisk Sushi (International Cartoonist Conspiracy/Big Time Attic, 2008 & 2010)
Available for School Visits:
I have worked with all ages of students to show my creative process for both comics and printmaking, from college level to elementary school. I enjoy teaching kids how to create their own characters, gadgets, and environments as part of a game.
Misako Rocks!
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Misako Rocks! is a Japanese manga artist based in Brooklyn, NY. At age 19, she won a scholarship to come to American as an exchange student. Her first break came when The Onion decided to use her illustrations for their “Savage Love” column.
Since then, she has published seven books in both the United States and Japan, and teaches manga students privately and at several schools throughout New York City.
What do you love to do for fun?
Kickboxing! Everyday!
Why did you leave Japan to America?
When I was a kid, I watched a movie Back to the Future and got a huge crush on Michael J Fox. I wanted to be his girlfriend. That’s the main reason why I moved to America. Hahaha!
Mediums:
Specialties:
Action-adventure, Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Manga, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Young Adult
Art Process:
If I’m working on comic books, I like to start with a finished manuscript first. It’s easier for me to work this way. My thumbnails look like a bunch of eggs are talking. Once I complete the entire thumbnails, then I can move to the “pencil” process. I normally use awesome manga paper from Japan. I start drawing carefully on these papers. Meanwhile, I draw backgrounds like cities or streets separately. Then I move to the “inking” process. I use Japanese calligraphy brush pens and Copic ink pens to trace the pencil lines. Once it’s done, I scan every page to color them with Photoshop. That’s my favorite part!
Forthcoming books:
Bounce Back, Feiwel & Friends/Macmillan, Fall 2021
Published books:
Biker Girl, Hyperion 2006
Rock and Roll Love, Hyperion 2007
Detective Jermain, Henry Holt 2009
How to Find a Gaijin Boyfriend Discover 21, Japan, 2014
New York Life Style: How to make your life fun and exciting Discover 21, Japan, 2015
How to speak English with Misako’s method, Ascom Publisher, Japan, 2015
Location:
Visit Misako at:
www.misakorocks.com
www.bouncebackcomic.com
www.instagram.com/misakorocks
www.twitter.com/misakorocks
Awards and honors:
NYPL Best Teens Book List, 2007
Selected as one of 5 Japanese artists to meet Japanese Prime Minister Abe, 2015
Available for School Visits:
I’ve been teaching manga at so many schools! I offer a Manga Drawing Workshop for all ages, where I teach students how to create their own manga characters step by step. I also offer a motivational talk aimed at middle and high school student called “How Misako became a manga artist in America!” I use a slideshow with photos of Japan and comic books to talk about why and how I left Japan and became a manga artist in America.
Debbie Fong
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Debbie Fong is an illustrator, designer, and cartoonist from Brooklyn, NY, and currently the (sole) artist behind POMMO Press, where she turns her best doodles into fun products like enamel pins and embroidered patches. After attending her first indie comics festival in 2015, she fell in love with the world of small press comics and has been drawing and printing her own books ever since, exhibiting regularly at comic festivals around the country.
As an illustrator, she enjoys both commercial work as well as longer narrative projects. Past clients include Time Inc. Books, The Strand, and CreativeFeed. Her latest illustrated children’s book is titled How To Be a Person, written by Catherine Newman and published by Storey Publishing (May 2020).
Favorite food:
Noodles! 🙂 I love all types of noodles from Italian pastas to Asian egg noodles, rice noodles, and even noodles made from beans! Growing up as a Taiwanese-American kid in Northern New Jersey, I think I got to eat the best of both worlds – noodle soups with vermicelli and fried shallots at home, and spaghetti and meatballs whenever we went out.
Favorite travel spots:
One of my new favorite things is to go on road trips! In 2018 my partner and I took our first cross-country road trip from New York to California with our dog and it was an unforgettable trip. Since then we’ve done a bunch of smaller road trips, but I can’t wait until our next big trip to the West Coast!
Mediums:
Specialties:
Advertising, Animals, Black & white, Board books, Book Covers, Branding, Coloring, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Middle Grade, Non-fiction, Packaging, Picture books, Sci-fi, Slice-of-life, Spot art, Typography, Writing, Young Adult
Location:
Forthcoming books:
How To Be a Person, Storey Publishing (May 2020)
Awards and honors:
Ignatz Award nomination, 2018
Broken Frontier Award, 2018
Art Process:
My illustration work is 95% digital, which means there is a lot of fluidity to my workflow that I find helpful when working with clients or other artists on a project. For example, changes to “inked” lineart are not too difficult to make at any stage, and when requested, I can deliver Photoshop files formatted so individual colors can be easily changed. In terms of my approach to a new assignment, I find that establishing clear communication from the beginning can really help to get everyone on the same page, so I always try to be as thorough and communicative as possible!
Visit Debbie Fong at:
Available for School Visits:
Not at the moment!