Andi Watson

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I was born and raised in Kippax, a small town in Yorkshire, England. I spent half my life playing outdoors with my brother and friends and the other half reading, drawing and watching TV. Despite being in awe of the power of stories I was intent on being a car mechanic. Eventually I realised I had no interest in cars and even less talent for fixing things and went to art school in Liverpool. I rediscovered comics, made one of my own, graduated and continue to make more.

I’m still in awe of the power of stories and the satisfaction and challenge of telling my own through words and pictures. I live in Worcester with my wife and daughter.

What is your favorite food?

I like Brussel sprouts and broccoli but shiver in horror at courgettes. Brrrr….courgettes.

Specialties:

Published books:

  • Kerry and the Knight of the Forest (graphic novel)  Random House Graphic, 2020

And many others… click here for a complete bibliography.

GET IN TOUCH ABOUT ANDI

Location:

Mediums:

Art Process:

Everything starts with a pencil and paper, whether it’s noting down story ideas or thumbnailing images. I think with a pencil and problem solve on paper. No Moleskine notebooks for me, I use the back of old print outs and bills. Whatever’s to hand and I’m not precious about.

Once I have an idea I’m happy with I’ll move to pencil on paper. When I’m satisfied with the sketch I’ll use pen, brush, ink to complete the art. I try to balance a liveliness of line with control and clarity. Then I’ll scan it in and use Photoshop to tweak and colour.

Available for School Visits:

When I do school visits, I collaborate with the children to create an improvised comic story from their suggestions.

Visit Andi at:

Awards and honors:

Eisner, Best Graphic Album Reprint nomination 2000: Geisha

Eisner, Best Limited Series nomination 2001: Breakfast After Noon

Harvey, Best New Series nomination 2004: Love Fights

Eisner, Best Publication for Kids nomination 2009: Princess At Midnight

British Comics Awards, Young People’s Comic Awards nomination 2012. Gum Girl: Catastrophe Calling


Kaia Tseng

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Born in Syracuse, New York and raised in Cupertino, California, Kaia Tseng is a Taiwanese-American illustrator, designer, and entrepreneur. Kaia has been drawing ever since she learned how to pick up a crayon, and has always loved bringing ideas to life in the form of art. By age 15, she began selling her artwork and handicrafts at local conventions. She made her lifelong hobby into her profession at age 24, with the launch of her brand, Kaiami, with the goal of designing products that make people smile and brighten up their day.

Her artwork uses dreamy colors and brings a touch of the fantastical to ordinary moments. In addition to designing for her own brand, Kaia has also produced art for books, games, fashion brands, and galleries.

What is your favorite food?

Carrots have been my favorite food since I was a kid! I have eaten them to the point where my skin turned orange. I also generally like Asian noodle soups (Taiwanese beef noodle and tonkotsu ramen are among my favorites).

What do you love to do for fun?

I love to hold tea parties! I love to get dressed up and drink delicious tea and eat small desserts, but casual tea parties where I can get together and catch up with friends are great too. Aside from that, I’m also a big fan of birdwatching and reading comics.

Mediums:

GET IN TOUCH ABOUT KAIA

Art Process:

I thumbnail my ideas in a sketchbook before starting, and usually the sketch will be done with pencil and paper before moving to the lining phase. I sometimes line using a lightbox on top of my sketches, or scan and line digitally. Nowadays, I do most coloring digitally, but I started out using traditional mediums so I am comfortable with markers and colored pencils as well.

Location:

Visit Kaia at:


Serena Phu

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Serena sometimes introduces herself as Ren, and mostly presents herself online as phoodledoodles. She is an artist with a focus on painting and illustration, and describes her work as “a precarious balance of cutesy-lovely-pretty, and ominous tension.”

She received her BFA from the Hartford Art School in May 2019. She has had several gallery shows and has attended anime and pop culture conventions as an artist since fall 2015.

What is your favorite food?

I have 2 separate answers for this. My favorite food for looking at is cake, especially modern cakes. I’m very much a fan of whipped cream texture, and looking at finely piped whipped cream dollops and swirls makes me elated.

My favorite food, according to my boyfriend, whom I had to ask for input on this, is good curry. I do enjoy sweet curries, like Japanese curry and Thai curry. In general, I like a lot of sweet-savory foods, and foods with a soft or even mushy texture.

Favorite travel spots:

I’ve been to Japan only one time, and it was my only time traveling internationally, but it was definitely a highlight for me. A lot of people want to travel there, and for good reason; when I was there, everything felt like a dream. It felt like regular mundane life, but easier and all-around nicer. I was mostly in the city, and public transit was straightforward despite any language barriers, food was easy to come by, and the shopping landscape was new and exciting. I would definitely recommend visiting Japan to see their city life, particularly Tokyo and everything it encompasses, and Osaka and the nearby Nara Park, where you can bow endlessly with very polite deer (or get chased by them when you have food, as I did). Another spot I’d recommend is the Zao Fox Village in Shiroishi, which is a far train ride from the major cities, but a good opportunity to experience the Shinkansen.

GET IN TOUCH ABOUT SERENA

Art Process:

My art process starts with the medium. I usually get an intrinsic sense of what medium I think suits a work best, based on what the subject matter is and whatever inkling of a composition I have in mind for it. My usual default is oil paint, as it is the most versatile and the most comfortable for me, as well as most fun. I like oil for the texture that it’s capable of, and when I work with it, I often try to incorporate large, brushy strokes and globby paint chunks if I can. If a piece requires a lighter or more delicate touch, I go for watercolor and/or gouache (unless it requires a dark background, in which case I go back to oil). I find water-based medium to be so dainty, and works very well to convey a feeling of sunniness or fragility.

From there, I figure out composition; I usually have an immediate sense of what kind of impact I want from a piece and what it ought to look like, so I’ll then do a few pencil sketches, take some reference photos I might need, and work out any wonky parts until I get exactly the vibe I envision. Once that’s ready to go, I’ll either redraw it or transfer it onto whatever surface I’m working on (watercolor paper, canvas, board, digital scan, etc.) and start to paint. Painting is a very straightforward, step-by-step process for me, although there are a few decisions that I leave out during the planning portion that I make while executing the final product; I feel that this keeps it from getting too stiff or overly structured.


Matt Loux

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Matthew Loux is the author and artist of the graphic novels The Time Museum Vol. 1 and Vol. 2 (published by First Second Books), Sidescrollers and the five volume series Salt Water Taffy (originally published by Oni Press).

Matthew also illustrated the graphic novel F-Stop and the board comic Good Night Gabbaland based on the Nick Jr. television show Yo Gabba Gabba and has contributed comics and cover art for the Comic Book Legal Defense Fund. Matthew lives in New York and is currently working on his first watercolor-painted graphic novel aimed at early middle grade readers, soon to be announced.

Favorite food:

Pepperoni pizza

Favorite travel spots:

Just about any place in Japan but particularly the Shinsekai neighborhood of Osaka and the Shimokitazawa and Nakameguro neighborhoods of Tokyo.

Mediums:

Specialties:

GET IN TOUCH ABOUT MATT

Art Process:

Matthew’s art process involves a foundation of hand pencils, which are then finished with line art using a Winsor & Newton brush and ink.

Colors are either done using Photoshop, resulting in a slightly more polished and modern illustration look, or hand-painted with watercolor for a more classic, vintage feel.

Published books:

The Time Museum Vol. 1 and Vol. 2 (First Second Books)
Sidescrollers (Oni Press)
Salt Water Taffy Vol. 1-5 (Oni Press)
F-Stop (Oni Press)
Good Night Gabbaland (Oni Press)

Awards and honors:

Starred Kirkus review (The Time Museum)
Texas Library Association’s Maverick list, 2018 (The Time Museum)
Panda Book Award winner, 2018 (The Time Museum)
RI Children’s Book Award nomination (The Time Museum)
American Library Association’s YALSA Great Graphic Novels for Teens, 2008 (Sidescrollers)
Texas Library Association’s Maverick list, 2009 (Salt Water Taffy)

Location:

Visit Matt Loux at:

Available for School Visits:

Matthew’s main school presentation (aimed at middle grade readers) begins with a personal look at the influences throughout his younger life that led him to a career in comics. He discusses the steps it takes to actually create a graphic novel from idea to finished book. The presentation includes live drawing and a slideshow.

Matthew’s second presentation (accessible for all ages) begins with a shorter version of what brought him to making comics, then quickly focuses on live drawing and an interactive “create a character” game. In the end, the drawings will be left for the school to display or give to student participants.


Mike Sgier

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Mike Sgier is a cartoonist and printmaker based in Philadelphia. Born and raised outside of Denver, Mike received a BFA from Creighton University, and an MFA from the Minneapolis College of Art and Design. He has been making comics since 2006, exploring a wide range of genres in the medium, including autobio, indie romance, and humorous sci-fi. His current comics are based in the fantasy genre, following an array of characters in a world called Vespers.

Mike is an active member of BYO Print, a printmaking studio and collective in Philadelphia.

What was your favorite book as a child?

A tie between ‘James and the Giant Peach’ by Roald Dahl, and ‘The Mouse and the Motorcycle’ by Beverly Cleary.

Favorite travel spots:

Dublin, Ireland and Kyoto, Japan

Mediums:

Specialties:

GET IN TOUCH ABOUT MIKE

Art Process:

My creative process starts by drawing quick, small thumbnails of the image, trying out different compositions, and determining which visual elements will be used. Based on these quick drawings, I’ll complete 3-4 small drawings (around 4.25” x 5.5”) with the basic elements in play, but still not too detailed. These drawings help to give an idea of where the image can go, but also help to determine if different routes are needed to achieve the result the client is seeking.

Once a drawing is approved by the client, I transfer it to a fresh sheet of paper where I finish it, most often with pen and ink. Then I scan and clean it up, adding digital techniques if necessary.

For relief printmaking, I transfer the drawing to a block of wood or linoleum, carve it, and pull prints from the block. This process may add more time, but it can also provide the image with a singular expressive element.

Location:

Visit Mike at:

Published books:

Once Upon a Time Machine Vol. 2: Greek Gods and Legends (Dark Horse Comics, 2018)
Little Nemo: Dream Another Dream
(Locust Moon Press, 2014)
Quarter Moon
(Locust Moon Press, 2013-2015)
Colonial Comics – New England, 1620-1750
(Fulcrum Publishing, 2014)
Rock Ink Roll
(Altered Esthetics, 2013)
Lutefisk Sushi
(International Cartoonist Conspiracy/Big Time Attic, 2008 & 2010)

Available for School Visits:

I have worked with all ages of students to show my creative process for both comics and printmaking, from college level to elementary school. I enjoy teaching kids how to create their own characters, gadgets, and environments as part of a game.


Misako Rocks!

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Misako Rocks! is a Japanese manga artist based in Brooklyn, NY. At age 19, she won a scholarship to come to American as an exchange student. Her first break came when The Onion decided to use her illustrations for their “Savage Love” column.

Since then, she has published seven books in both the United States and Japan, and teaches manga students privately and at several schools throughout New York City.

What do you love to do for fun?

Kickboxing! Everyday!

Why did you leave Japan to America?

When I was a kid, I watched a movie Back to the Future and got a huge crush on Michael J Fox. I wanted to be his girlfriend. That’s the main reason why I moved to America. Hahaha!

Mediums:

Specialties:

GET IN TOUCH ABOUT MISAKO

Art Process:

If I’m working on comic books, I like to start with a finished manuscript first. It’s easier for me to work this way. My thumbnails look like a bunch of eggs are talking. Once I complete the entire thumbnails, then I can move to the “pencil” process. I normally use awesome manga paper from Japan. I start drawing carefully on these papers. Meanwhile, I draw backgrounds like cities or streets separately. Then I move to the “inking” process. I use Japanese calligraphy brush pens and Copic ink pens to trace the pencil lines. Once it’s done, I scan every page to color them with Photoshop. That’s my favorite part!

Forthcoming books:

Bounce Back, Feiwel & Friends/Macmillan, Fall 2021

Published books:

Biker Girl, Hyperion 2006
Rock and Roll Love, Hyperion 2007
Detective Jermain, Henry Holt 2009
How to Find a Gaijin Boyfriend Discover 21, Japan, 2014
New York Life Style: How to make your life fun and exciting Discover 21, Japan, 2015
How to speak English with Misako’s method, Ascom Publisher, Japan, 2015

Location:

Visit Misako at:

Awards and honors:

NYPL Best Teens Book List, 2007
Selected as one of 5 Japanese artists to meet Japanese Prime Minister Abe, 2015

Available for School Visits:

I’ve been teaching manga at so many schools! I offer a Manga Drawing Workshop for all ages, where I teach students how to create their own manga characters step by step. I also offer a motivational talk aimed at middle and high school student called “How Misako became a manga artist in America!” I use a slideshow with photos of Japan and comic books to talk about why and how I left Japan and became a manga artist in America.


Debbie Fong

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Debbie Fong is an illustrator, designer, and cartoonist from Brooklyn, NY, and currently the (sole) artist behind POMMO Press, where she turns her best doodles into fun products like enamel pins and embroidered patches. After attending her first indie comics festival in 2015, she fell in love with the world of small press comics and has been drawing and printing her own books ever since, exhibiting regularly at comic festivals around the country.

As an illustrator, she enjoys both commercial work as well as longer narrative projects. Past clients include Time Inc. Books, The Strand, and CreativeFeed. Her latest illustrated children’s book is titled How To Be a Person, written by Catherine Newman and published by Storey Publishing (May 2020).

Favorite food:

Noodles! 🙂 I love all types of noodles from Italian pastas to Asian egg noodles, rice noodles, and even noodles made from beans! Growing up as a Taiwanese-American kid in Northern New Jersey, I think I got to eat the best of both worlds – noodle soups with vermicelli and fried shallots at home, and spaghetti and meatballs whenever we went out.

Favorite travel spots:

One of my new favorite things is to go on road trips! In 2018 my partner and I took our first cross-country road trip from New York to California with our dog and it was an unforgettable trip. Since then we’ve done a bunch of smaller road trips, but I can’t wait until our next big trip to the West Coast!

GET IN TOUCH ABOUT DEBBIE

Mediums:

Specialties:

Location:

Forthcoming books:

How To Be a Person, Storey Publishing (May 2020)

Awards and honors:

Ignatz Award nomination, 2018
Broken Frontier Award, 2018

Art Process:

My illustration work is 95% digital, which means there is a lot of fluidity to my workflow that I find helpful when working with clients or other artists on a project. For example, changes to “inked” lineart are not too difficult to make at any stage, and when requested, I can deliver Photoshop files formatted so individual colors can be easily changed. In terms of my approach to a new assignment, I find that establishing clear communication from the beginning can really help to get everyone on the same page, so I always try to be as thorough and communicative as possible!

Visit Debbie Fong at:

Available for School Visits:

Not at the moment!