Tak Toyoshima

Pencils

Tak Toyoshima is the creator/illustrator of Secret Asian Man, a comic strip exploring race relations. It became the first nationally syndicated comic (United Features) with an Asian American lead. He is the art director for MICE (Massachusetts Independent Comics Expo) and teaches comics to middle schoolers on the weekends.

Tak has also won awards for cover design, layout, photo illustration, and info-graphics during his 10+ years as a creative director for Boston’s alternative newspaper The Weekly Dig. He advocated for the use of illustration for covers, working with hundreds of local renowned and up-and-coming artists such as Shepard Fairey, James Jean, and Peter Max, to name a few.

Tak Toyoshima

What was your favorite book as a child?

Dr. Slump (series) by Akira Toriyama. As a child I read a lot of comics, both American and Japanese manga. Dr. Slump stands out in my mind for so many reasons. It is hilarious, thoughtful, borderline inappropriate (without being raunchy), features extremely well-designed and interesting characters, but mostly I fell in love with the art style that seemed to flow effortlessly from childish simplicity to technically stunning detail.

Who or what inspires you the most, and why?

I love working with kids. Not necessarily teaching AT them, but learning WITH them.

On Saturdays I teach a comics class for middle school kids to help develop their skills in writing as well as drawing. Their stories always remind me of what is at the core of my love for comics: the challenge of transferring stories in my head to blank pages. It’s important for kids to learn how to communicate and to expose them to comics as a playground where they can develop these skills in an open and non-judgmental way.

Mediums:

pencils, pen and ink, digital, coffee

Specialties:

Awards and honors:

GET IN TOUCH ABOUT TAK

Art Process:

For pure illustration work-for-hire, it’s all about the client. To me the challenge is in finding my voice in the assignment. Usually the end goal is relatively simple. “We need a beer label with these elements. Use green and red.” “We need a spot illustration about the slippery slope of A.I. art. But make it funny.” Countless illustrators and designers can accomplish these goals but what is it that only I can offer? That’s what keeps me up at night.

Now, not all projects are created equal and I am certainly guilty of being less invested in some than others (gotta pay that mortgage!). But at the end of the day if I am putting my name to something I want it to stand alongside the best work. And when it comes to longer-form work like comics series and graphic novels, there are no excuses.

Available for School Visits:

I am currently represented by the American Program Bureau for speaking engagements and have been traveling to present about my comics work since about 2015. Most of my presentations have been at universities (Harvard, MIT, Princeton, Georgetown, Baylor, UNLV, etc.) speaking on my journey in comics talking about Asian representation, the challenges of advocating for a minority voice, and the complexities of race relations in America.

I have presented to younger students as well, from grade school through high school, where I mostly speak of the experience of working in comics and the effort that comes with the “fun” of drawing pictures for a living. Many of these talks include hands-on workshops where kids join in and create comics.

I have also presented at professional conferences for teachers, discussing how comics can be used in school curriculum and how the art form is a powerful tool for students to use for self-expression and critical thinking.

Forthcoming books:

Published books:

The Daily Days (collection of 3 years of nationally syndicated daily comic strips distributed by United Features, 2nd printing 2023)
Make Good Choices (print and online choose-your-own-adventure style book revolving around controversial social justice topics such as abortion, police brutality, critical race theory, gun control, 2023)
Kwok (anti-Asian hate crime fundraiser for local elderly care organization in Boston’s Chinatown, 2021)
RISE: A Pop History of Asian America from the Nineties to Now (Mariner Books, 2022)
Enough About Me written by Richard Lui (Zondervan Books, 2021)
New Frontiers: the Many Worlds of George Takei (SI Universe Media, 2017)
Gwan Anthology (Forward Comix, 2016)
Artists Against Police Brutality (Rosarium Publishing, 2015)
Tomo: Friendship Through Fiction (Stone Bridge Press, 2012)
Out of Sequence: Underrepresented Voices in American Comics (U. of Illinois at Urbana Champaign, 2008)
Secret Identities: the Asian American Superhero Anthology (The New Press, 2009)
East Main Street (New York University Press, 2005)
Attitude 2: the New Subversive Alternative Cartoonists (NBM, 2004)

Location:

Hanover, MA

Visit Tak at:


Jonathan St. Amant

Pencils

My name’s Jon, and I like to draw wizards, monsters, derpy chubs, pinups, and ninjas. By day I’m a middle school art teacher, and by night I’m a dad/graphic novelist. I’m also an amatuer beekeeper and hobby aquarist. I’m inspired by video game RPGs, fantasy movies and novels, science fiction and outer space, manga and anime, my students, and the ills of society.

After receiving my BFA in Drawing and Painting and Art Credential from Long Beach State, I moved away from the fine art world and dove headfirst into the warm and supportive communities of cartoons, comics, and kid lit. I love to consume and create unconventional stories with relatable themes, but my absolute favorite thing is character design.
I live in Southern California with my wife (who collaborates with me on stories), my two boys, two cats, a bunch of fish, and bees.

What do you love to do for fun?

I love hiking, surfing, playing video games (especially RPGs), trying different foods, traveling, gardening, taking care of my aquarium, evangelizing about bees, collecting comics and graphic novels, and of course reading them. 

What is your favorite book as a child?

One of my favorite books as a child was Richard Scarry’s What do People do All Day? I loved finding all the details in the backgrounds. If you were savvy, you could even find Lowly Worm.

Mediums:

Specialties:

GET IN TOUCH ABOUT JONATHAN

Art Process:

Typically, I like to sketch out an idea in my sketchbook first. For references, I’ll use Google, my own photos, or Pinterest. When I’m happy with my sketch or layout, I’ll take a photo of it and import it into either Procreate or Clip Studio. From there, I’ll ink over the sketch on a seperate layer with my favorite digital brush (for Procreate it’s Maxpack’s MaxU Sable Inker Soft). After that, I add colors and other effects on different layers.

Published books:

Critical Thinking: A Shepherd’s Guide to Tending Sheep, Kendall Hunt, 2000

Are You Mad? A Guide for Developmental Writers, Kendall Hunt, 2001

What a Trip, Kendall Hunt, 2005

Location:

Visit Jonathan at:

Awards and honors:

Teacher of the Year, 2011
Winner of the KCU logo/mascot contest 2021

Available for School Visits:

I visit the same school every day (I teach middle school art), but I am also willing to visit other schools as long as I can use a sick day here and there. I like to do step-by-step draw-alongs.


Ariel Rutland

Pencils

Ariel Rutland is an award-winning designer and illustrator whose work focuses on themes of nature, curiosity, humor, and beauty in everyday objects. She grew up in a cozy central New Jersey suburb down the street from a great big house with a pond. Many weekends of her childhood were spent strolling the neighborhood with her Grandma, who would often take the train from Manhattan down to “the country.” She credits their endless neighborhood walks spent storytelling about the squirrels, birds, and rocks that crossed their path as inspiration for her art… and ability to (bring to her art?) view nature and the world through the wondrous eyes of a child…

Ariel graduated from University of Maryland with a degree in fine art and concentration in graphic design. She worked as a product designer at Martha Stewart, followed by lead designer at a boutique branding agency. Her artwork has been licensed to American Greetings, Minted, Target, and West Elm, being featured on greeting cards and home decor. She is currently illustrating a forthcoming children’s book. When she isn’t drawing and designing, she can be found playing in the backyard with her three young boys and husband in Yardley, Pennsylvania.

What was your favorite book as a child?

My bedtime book request was always Stellaluna. The illustrations completely transported me into the night sky. I now read it to my boys, who are equally as captivated and curious about these tender characters as I was.

Who or what inspires you the most, and why?

Watching my kids grow.

Mediums:

Specialties:

GET IN TOUCH ABOUT ARIEL

Art Process:

I start by asking questions and diving into the subject matter to find answers and (hopefully) discover hidden gems that I can weave into the illustrations. I want to fully immerse myself in the world that I am about to draw. Then I do a lot of loose pencil sketches on paper, continuing to iterate until I find what’s working. Next begins my back-and-forth dance from digital to analogue and back. After I’ve sketched on paper, I create a digital version so I can easily manipulate the pieces—move the tree a little to the left, add some birds, change the season. After I’ve created this digital foundation of flat shapes, I move back to paper and use various media like watercolor, ink, and cut paper—sometimes scribbles from my kids— to create textures and other hand-made marks that I will eventually scan and layer into the digital file. I love using the Procreate app on my iPad and Photoshop for final refinements. Whether I’m working purely digital or a combination, it’s important I retain a hand-made, “perfectly imperfect,” emotive quality to the final art.

Location:

Visit Ariel at:

Awards and honors:

NYPL Best Teens Book List, 2007
Selected as one of 5 Japanese artists to meet Japanese Prime Minister Abe, 2015

Available for School Visits:

Not at this time.

Forthcoming books:

Apart, Together written by Linda Booth Sweeney (coming 2022, Balzer + Bray)


Katie Risor

Pencils

Katie Risor is a professional illustrator, author, and designer creating fantastical storybook art in San Antonio, Texas. Growing up on books like The NeverEnding Story, Mary Poppins and Winnie the Pooh and playing outside every day with her friends led her to create art and stories inspired by nature, everyday experiences, and a little bit of magic.

Professionally, Katie works on picture books, covers, advertising, product design, and book design. She also enjoys geeking out about art supplies and teaching the fun of creativity to others. You can see her tutorials on Tik Tok and Instagram.

Why do you like to draw creatures?

A lot of ingredients went into my brain and came out as my creatures. The true inciting incident is when I got The NeverEnding Story from Blockbuster when I was about ten years old. I watched that movie, and Falcor’s been flying up in my brain ever since. Before that, Snuffleupagus was my favorite Sesame Street character and I’ve always loved fairies, dragons, gnomes and such. But Falcor was life-changing.

Specialties:

GET IN TOUCH ABOUT KATIE

Art Process:

Every project, whether it’s a single illustration or an entire book, starts with an idea. Ideas can pop into my head anytime, but whenever I want to get a new idea I lay on the floor, close my eyes, and wait. Laying on the floor with properly inspiring music will usually give me something.

Next is brainstorming and iteration. For a whole book, this means sketching and storyboarding. For a single illustration this means doing iterative compositional sketches. I want to choose a composition that effectively delivers information to the viewer but is also pleasant, surprising, or delightful to look at, something that goes beyond the main idea.

The best illustrations I do always come from ideas I can see clearly in my head and for which I have a solid execution plan. However, I do like to leave room in the process for playing around. I think that’s why I like traditional media so much; no matter how much you know about the medium, you can’t be fully in control.

Mediums:

Location:

Visit Katie at:

Available for School Visits:

I love teaching art workshops for kids of all ages, but especially youngsters. I showcase the design process  and inspire kids to tap into their own creativity. I do demos on “what if” storytelling, comics, drawing fantasy creatures, and painting.And finally, I explain the book making process and what sort of jobs creative kids can go into.


Leonardo Quiles

Pencils

Leonardo Quiles is an author, illustrator, and educator. His career in computer generated visual effects for feature film and advertising laid the groundwork for his interest in sequential narrative. Visual storytelling inspires his interest in developing original content for children’s graphic novels, as well as animation, editorial illustration, and other comics work. 

Leo studied Illustration at Parsons School of Design and holds a BA is Art History from Massachusetts College of Liberal Arts and an MFA in Illustration from the University of Hartford. He is an elementary school Visual Arts teacher working and living in the Berkshire Hills of Western Massachusetts with his wife, their two children, and their puppy Roxy.

Leo is the recipient of the 2021 We Need Diverse Books Mentorship with author/illustrator Mike Curato, Flamer, Henry Holt, 2021.

What was your favorite book as a child?

My favorite book as a child was “Where the Wild Things Are”. I remember wanting to draw like Maurice Sendak, even as a child. I would copy his characters, sometimes tracing them. I especially liked the griffin character from the Wild Rumpus scene. I imagine there is still an element of Sendak’s work influencing my own work today.

Visit Leo at:

Specialties:

GET IN TOUCH ABOUT LEO

Location:

Art Process:

I keep a sketchbook and I draw regularly. My design process always begins with drawing. My solution is found somewhere between my head and my hand. As I am cognitively working out the design problem, I am also visually problem solving on paper. Once I have a sketch I’m happy with, I’ll bring it into Procreate to clean-up, to finalize the composition and to set the scale for the final artwork. The sketch is then printed onto a heavy stock paper, like watercolor or vellum. If the final work is a comics page, I’ll ink the line work traditionally with steel nibs and paint watercolor for the fills. If the work is a more traditional illustration, I’ll paint the final steps in gouache.

Mediums:

Awards and honors:

2021 We Need Diverse Books Mentorship Award with author/illustrator Mike Curato, Flamer, Henry Holt, 2021.  

2021 Practice Kindness, pencil, ink, watercolor on paper. Norman Rockwell Museum – permanent collection. 

2019 Charmed, porcelain. 20-year anniversary show for Sienna Patti Contemporary, Lenox, MA. Museum of Fine Arts Boston – permanent collection.

2018  Murray Tinkelman Award for Excellence in Illustration.

Available for School Visits:

I am an elementary school visual arts teacher. In many ways, I feel as though I do a school visit every day! 

For author visits, I read a passage from my graphic novel, HOME, then lead an activity where we create a “mini-zine” with 8.5×11’ paper and pens. I can also work with students to create a folded paper sculpture of a traditional folk mask, a vejigante, that they can color, cut, fold, glue and wear. 


Claudia Rueda

Pencils

Claudia Rueda is a Colombian picture book author, New York Times Best Seller illustrator and a 2016 Hans Christian Andersen award nominee. Her books have been published throughout North America, Europe and Asia and have been translated into thirteen different languages. She’s the author of Bunny Slopes (Chronicle), a New York Public Library and Junior Library Guild Selection and the illustrator of Here Comes the Easter Bunny (Dial), a Kirkus Best Book of the year and a Goodreads Choice Award.

Claudia went to Law and Art school and worked as a political cartoonist in Colombia and then studied Children’s Book Illustration at UC Berkeley. She holds a MFA in Creative Writing from Lesley University and she’s the 2009 recipient of the Billie M.Levy research grant awarded by the Northeast Children’s Literature Collection.

What was your favorite book as a child?

I didn’t have access to many children’s books as a child. But I remember going again and again through the Andersen, Grimm and Oscar Wilde illustrated collection we had at home. I remember every simple picture from those books.

What do you love to do for fun?

Hiking, biking, traveling, reading, walking, cooking, bookstores, swimming, visiting markets, eating ice cream and laughing with my daughters.

Mediums:

Art Process:

I normally start by doodling, writing notes, and drawing rough sketches. I use a light color pencil for the first lines, then go over them with a 2B pencil. I find it intimidating to start with expensive paper or with an unerasable line. I’d rather allow myself to make mistakes.

The next step is to create a storyboard, and from there, a rough dummy of the book. Once the visual narrative seems to be working, I work on the appearance of the characters and then the sketches for the final art. After a few months I experiment with different media until I find the one that fits the story.

GET IN TOUCH ABOUT CLAUDIA

Specialties:

Awards and honors:

Junior Library Guild Selection

NYPL Best Books for Kids Selection

Hans Christian Andersen Award Nomination

Astrid Lindgren Award Nomination

Kirkus Best Books Selection

Goodreads Choice Awards

New York Times Bestseller

Bank Street College Best Children’s Books

Amazon Little Bookworms Selection

Parents Magazine Best Children’s Book

​​CCBC choice selection

Oppenheim Platinum Award

IBBY Honor List Nomination

Available for School Visits:

I do library visits, both for children and librarians. For children, I do storytime, make some drawing samples and answer questions. For Adults, I talk or give a workshop on picture book creation.

Location:

Published books:

AS WRITER AND ILLUSTRATOR
-Redlocks and the Three Bears ·2021· Chronicle Books (coming in November)
-Bunny Overboard· 2020· Chronicle Books
-Hungry Bunny · 2018· Chronicle Books
-Bunny Slopes · 2016 · Chronicle Books
-Is it Big or is it Little? · 2013 · Eerdmans
-Huff & Puff · 2012 · Abrams Books
-No · 2010 · Groundwood
-My Little Polar Bear · 2009 · USA· Scholastic Press
-Let’s Play in the Forest While the Wolf Is Not Around · 2006 · USA· Scholastic Press

AS ILLUSTRATOR
-Here Comes Teacher Cat · Text by Deborah Underwood · 2017 · Dial Penguin
-Here Comes the Tooth Fairy Cat · Text by Deborah Underwood · 2015 · Dial Penguin
-Here Comes Valentine Cat · Text by Deborah Underwood · 2015 · Dial Penguin
-Here Comes The Easter Cat · Text by Deborah Underwood · 2014 · Dial Penguin
-Here Comes Santa Cat · Text by Deborah Underwood · 2014 · Dial Penguin
-Nacho and Lolita · Text by Pam Muñoz · 2005 · Scholastic Press

Visit Claudia at:


Rivkah LaFille

Pencils

Rivkah LaFille (pronounced “lah-fee”) is a children’s illustrator, writer, designer and graphic novelist living in Austin, TX. Her graphic novel series, Steady Beat, was nominated to the American Library Association’s Great Graphic Novels for Teens list. She was nominated as a Lulu of the Year by Friends of Lulu for her work in promoting women in comics, and she won the Austin SCBWI Portfolio Showcase Award, presided over by Caldecott winner and New York Times bestselling author, Dan Santat.

In the early 2000s, she was the publisher and art director of a small literary publishing house, Rabid Press. Her “eureka!” moment happened when one day she woke up and realized she was going to make comics for the rest of her life instead. She did. She does. And she hasn’t looked back since.

Currently, she is illustrating a graphic novel with First Second, another with Candlewick, teaching comics-making classes, and making magic!

What was your favorite book as a child?

Miss Rumphius is STILL one of my favorites. It’s all about leaving the world a better place than we found it, which is basically my life motto.

What do you love to do for fun?

Gardening is my Happy Place. There is something so satisfying in taking care of a plant from seed, watering it, tending it, and watching it turn into a fruit or vegetable that you can eat. But watching the cycles of nature reminds me of the cycles within my own life: that even as the world grows and blooms and dies, new life is born out of it once again.

Mediums:

Specialties:

GET IN TOUCH ABOUT RIVKAH

Art Process:

My art process is a balance between logical problem-solving and creative intuition. I begin by thinking about the project as a whole: what is the tone, the technique, the style that would best suit this project? What is its age range? What’s the timeline? Every project has different demands, and before I start drawing, I think of what those demands are and how to answer them.

The rest, however, is largely a matter of doing and refining. Whether I’m creating fast and loose storyboards or finely detailed picture books, working in digital or analog mediums, the end result is an editorial style that refines itself with every step until it becomes exactly what the project needs: something that speaks loudly and clearly to my audience!

Published books:

STEADY BEAT v1 – Tokyopop – 2005 (YA LGBTQ+ graphic novel)
STEADY BEAT v2 – Tokyopop – 2007 (YA LGBTQ+ graphic novel)
MANGAKA AMERICA – HarperCollins – 2007 (tutorial book)
CREATIVE WRITING WITH MISS MARY MAC – First Second – date TBD (nonfiction graphic novel)

Location:

Visit Rivkah at:

Available for School Visits:

I love talking to (and with) students! My talks range from discussing my comics-making process to more inspirational-type discussions about finding your path in life and how to not be afraid of making mistakes…and to learn and grown from them! I specialize in talking to teens and tweens, but also adults wanting to make graphic novels for ages babies to teens.

Awards and honors:

Nominated to the YALSA GREAT GRAPHIC NOVELS for TEENS List in 2007
Friends of Lulu Award 2007 – Nominee
Winner of the 2019 SCBWI Portfolio Showcase Award (and runner up previous two years) presided over by Caldecott Winner Dan Santat


Andi Watson

Pencils

I was born and raised in Kippax, a small town in Yorkshire, England. I spent half my life playing outdoors with my brother and friends and the other half reading, drawing and watching TV. Despite being in awe of the power of stories I was intent on being a car mechanic. Eventually I realised I had no interest in cars and even less talent for fixing things and went to art school in Liverpool. I rediscovered comics, made one of my own, graduated and continue to make more.

I’m still in awe of the power of stories and the satisfaction and challenge of telling my own through words and pictures. I live in Worcester with my wife and daughter.

What is your favorite food?

I like Brussel sprouts and broccoli but shiver in horror at courgettes. Brrrr….courgettes.

Specialties:

Published books:

  • Kerry and the Knight of the Forest (graphic novel)  Random House Graphic, 2020

And many others… click here for a complete bibliography.

GET IN TOUCH ABOUT ANDI

Location:

Worcester, UK

Mediums:

Art Process:

Everything starts with a pencil and paper, whether it’s noting down story ideas or thumbnailing images. I think with a pencil and problem solve on paper. No Moleskine notebooks for me, I use the back of old print outs and bills. Whatever’s to hand and I’m not precious about.

Once I have an idea I’m happy with I’ll move to pencil on paper. When I’m satisfied with the sketch I’ll use pen, brush, ink to complete the art. I try to balance a liveliness of line with control and clarity. Then I’ll scan it in and use Photoshop to tweak and colour.

Available for School Visits:

When I do school visits, I collaborate with the children to create an improvised comic story from their suggestions.

Visit Andi at:

Awards and honors:

Eisner, Best Graphic Album Reprint nomination 2000: Geisha

Eisner, Best Limited Series nomination 2001: Breakfast After Noon

Harvey, Best New Series nomination 2004: Love Fights

Eisner, Best Publication for Kids nomination 2009: Princess At Midnight

British Comics Awards, Young People’s Comic Awards nomination 2012. Gum Girl: Catastrophe Calling


David Pierce

Pencils

Dave Pierce is an Author/Illustrator from the Northwest.

He re-discovered his passion for telling stories when he taught reading alongside his wife in the same Elementary classroom. Shortly after, he gained his certification to teach Art (K-12) and dove into the kidlit world via SCBWI. He is motivated by the “Ah-Hah!” moments that come when children read and stories that invite us to explore our place in the world.

He graduated from The Evergreen State College with an emphasis in Illustration, and studied Character Design and Digital Painting through The Oatley Academy of Visual Storytelling.

What do you love to do for fun?

Snowboard, Soccer, Hike, Music, Board and Video Games, and lots more. I probably have too many interests, but each one is so fun.

Favorite travel spots:

I’ve done a lot of travelling around Europe, but I have to say that Austria is my favorite. Go to Salzburg in the late spring and head into the mountains. Tell me you won’t have the Sound of Music running through your head!

Mediums:

Specialties:

GET IN TOUCH ABOUT DAVID

Art Process:

I try and leverage both digital and traditional media in my workflow.

One of the best things about working digitally is you can always undo things and make sweeping adjustments to composition by transforming and moving. This makes it a powerful tool early on when the ideas are just sketches. (Just don’t forget to click Save!)

As good as digital tools are, there’s something so *tangible* about creating traditionally. The feels and smells are wonderful, and I’ll get happy accidents that can inspire. Plus, you can work outside on a sunny day! (A rare treat in Washington State.)

I’ll usually make thumbnail ideas by pencil and scan them into the computer. Once in digital form, I’ll move its chunks around until I’m excited about it. From here I have a choice to continue digitally or print out the art for transfer via a light table. This works great for moving forward with Ink and Watercolor.

Sometimes I’ll stay traditional if it’s graphite or dry media, or go all-digital if it’s going to be something that demands more control. The important thing is knowing your tools and which approach will be most useful.

Location:

Visit David at:

Available for School Visits:

I enjoy doing visits in the classroom setting. This allows for hands-on learning with the students and making something collaborative together. My goal is to inspire the next generation of creatives, and to encourage anyone to try drawing and storytelling, whether they consider themselves an artist or not.


Shannon Slaughter

Pencils

Shannon Slaughter’s artist’s name is Jazine (JazineDraws). She graduated with a bachelor’s degree in art from St. Mary’s College of Maryland. At the time of graduating, she specialized in oil paintings, but she later transitioned to digital mediums, where she is self-taught. Her style is inspired by fantasy, portraiture, semi-realism, and Japanese pop culture.

She currently works as an elementary school special education teacher.

What was your favorite book as a child?

Go, Dog. Go! by P. D. Eastman. I loved the dog’s hat and I wanted to make one of my own as a kid, but I never did.  Maybe it is not too late though?

What is your favorite food?

I love mashed potatoes. I know they are not the healthiest thing to eat, but if it is offered to me, I won’t turn it down. My mom told me that one day I will turn into a potato.

Mediums:

GET IN TOUCH ABOUT SHANNON

Art Process:

For illustrations, I begin with several pencil sketches in my sketchbook or on Bristol paper. I may use Copic markers for shading. I will then scan the chosen sketch into the computer and open it in Clipstudio Paint.

I first create a grayscale draft that includes shadows and highlights. I choose a combination of digital watercolor and digital oil paint as my mediums. Once I am satisfied with the grayscale draft, I will use a combination of gradient maps, tweaking of layer attributes and overlaying layers of color at a low opacity to add color to my painting. Throughout the process, I am thinking of which colors can best convey the feeling I want for the final picture. I use the graphics editor Krita to assist in any additional color corrections.