Turtleboat

Pen and ink

Turtleboat is a comic book artist and illustrator based in NYC. He works primarily with pen and ink, and colors either digitally or with watercolor. His clients include Okayplayer.com, Random House, and VOX Media. 

In his free time he watches highlights of PRIDE FC and K1 Championships, or collects reference photos from Pinterest and photo books. He also has a grey cat named Kato.

What was your favorite book as a child?

Favorite comic book growing up was definitely Dragon Ball by Akira Toriyama.

What is your favorite food?

Favorite food is Korean braised beef stew made by my mom.

Specialties:

GET IN TOUCH ABOUT TURTLEBOAT

Art Process:

I start off with loose pencil sketches. After that, I spend a good chunk of time finding the correct reference materials. If I can’t find them, I pose for them myself (LOL).

Once the pencils are roughly in place, I utilize a lightbox to ink with a combination of nib pen, microns and brush. I scan the finished inks, and decide to either color traditionally with watercolor, or digitally with Photoshop. Once the back and neck aches start creeping in, I step away and stretch or workout a little bit. Then, back to the drawing!

Published books:

Awkwafina’s NYC 2015 – illustrator, sketch
Pankronicles: Early History of MMA – illustrator for Youtube series under Bloody Elbow, VOX Media

Mediums:

Location:

Visit Turtleboat at:

Available for School Visits:

I’ve spoken at a panel for comics creators at the Queens Book Festival, as well as at a program for high school students at the New School. I enjoy presenting about the craft of comics

Awards and honors:

Silent Manga Audition, Coamix – SMA5, Award Nominee
Silent Manga Audition – SMA4, Award Nominee


Rivkah LaFille

Pen and ink

Rivkah LaFille (pronounced “lah-fee”) is a children’s illustrator, writer, designer and graphic novelist living in Austin, TX. Her graphic novel series, Steady Beat, was nominated to the American Library Association’s Great Graphic Novels for Teens list. She was nominated as a Lulu of the Year by Friends of Lulu for her work in promoting women in comics, and she won the Austin SCBWI Portfolio Showcase Award, presided over by Caldecott winner and New York Times bestselling author, Dan Santat.

In the early 2000s, she was the publisher and art director of a small literary publishing house, Rabid Press. Her “eureka!” moment happened when one day she woke up and realized she was going to make comics for the rest of her life instead. She did. She does. And she hasn’t looked back since.

Currently, she is illustrating a graphic novel with First Second, another with Candlewick, teaching comics-making classes, and making magic!

What was your favorite book as a child?

Miss Rumphius is STILL one of my favorites. It’s all about leaving the world a better place than we found it, which is basically my life motto.

What do you love to do for fun?

Gardening is my Happy Place. There is something so satisfying in taking care of a plant from seed, watering it, tending it, and watching it turn into a fruit or vegetable that you can eat. But watching the cycles of nature reminds me of the cycles within my own life: that even as the world grows and blooms and dies, new life is born out of it once again.

Mediums:

Specialties:

GET IN TOUCH ABOUT RIVKAH

Art Process:

My art process is a balance between logical problem-solving and creative intuition. I begin by thinking about the project as a whole: what is the tone, the technique, the style that would best suit this project? What is its age range? What’s the timeline? Every project has different demands, and before I start drawing, I think of what those demands are and how to answer them.

The rest, however, is largely a matter of doing and refining. Whether I’m creating fast and loose storyboards or finely detailed picture books, working in digital or analog mediums, the end result is an editorial style that refines itself with every step until it becomes exactly what the project needs: something that speaks loudly and clearly to my audience!

Published books:

STEADY BEAT v1 – Tokyopop – 2005 (YA LGBTQ+ graphic novel)
STEADY BEAT v2 – Tokyopop – 2007 (YA LGBTQ+ graphic novel)
MANGAKA AMERICA – HarperCollins – 2007 (tutorial book)
CREATIVE WRITING WITH MISS MARY MAC – First Second – date TBD (nonfiction graphic novel)

Location:

Visit Rivkah at:

Available for School Visits:

I love talking to (and with) students! My talks range from discussing my comics-making process to more inspirational-type discussions about finding your path in life and how to not be afraid of making mistakes…and to learn and grown from them! I specialize in talking to teens and tweens, but also adults wanting to make graphic novels for ages babies to teens.

Awards and honors:

Nominated to the YALSA GREAT GRAPHIC NOVELS for TEENS List in 2007
Friends of Lulu Award 2007 – Nominee
Winner of the 2019 SCBWI Portfolio Showcase Award (and runner up previous two years) presided over by Caldecott Winner Dan Santat


Eva Cabrera

Pen and ink

Latina comic artist, Will Eisner and GLAAD Award nominee, Eva Abrera is the co-founder of Mexican studio BoudikaComics. She was born in Veracruz, Mexico, but most of the time she likes to travel and see other places. She is a lover of animals, magic and nature. In her free time she likes to read books and play video games.

Since she was little, she has been fascinated by telling stories through drawing. Little by little, she has developed her work as a female comics artist, and it’s become very important for her to be a representative of the creative women in Mexico.

She drew the Betty & Veronica series: Archie Comics’ Vixens, Black Mask Studio’s “Kim & Kim”, and has worked with publishers such as TopCow, ComiXology Originals, etc. She has done covers for BOOM Studios’ Adventure Time comics.

She makes videos on Youtube where she shares her experiences as a creator. You can find her on all her social networks as @evacabrera.

What was your favorite book as a child?

Alice in Wonderland. I loved the idea of traveling to a crazy and psychedelic world.

Who or what inspires you the most, and why?

I could make a long list of people and things that inspire me — but generally, what inspires me is people who are striving to achieve their dreams and who emanate a very positive energy in the world.

Mediums:

Specialties:

GET IN TOUCH ABOUT EVA

Art Process:

I always start with a sketch on paper. I like to write many ideas and sketch whatever comes to mind. Later I pick the ideas that seem most functional and start experimenting, reworking them on the computer.

When I work for publishers, I have to be faster, so I’ve started to work primarily digitally, but if I have time, I make ideas with watercolor or inks.

My priority is to deliver on the established dates, but I never neglect quality. I still feel that I have a lot to learn. That is the cool thing about my work: even with all the years that I have been a comic artist, I continue to learn and will never stop learning.

Published books:

  • Betty and Veronica: VIXENS (Archie Comics, 2016 – Present)
  • Open Earth (Oni Press, 2017)

And many others… click here for a complete bibliography.

Location:

Visit Eva at:

Available for School Visits:

I love doing readings and literary workshops for both adults and children. Spanish is my native language and I prefer doing events in Spanish.

Awards and honors:

Nominations:
GLAAD Award 2019 “Oh S#!t it’s Kim & Kim” as best “Outstanding Comic Book”
Will Eisner Award 2017 “Kim & Kim” as best “Limited Series”


Joe Latham

Pen and ink

Joe Latham is an illustrator and graphic designer based in Bristol, UK. He cut his teeth creating custom MySpace Pages (RIP) for bands, which lead to a lot of interesting projects. From designing bespoke Golf Balls for celebrities to animating music videos for Cradle of Filth, Joe has done design work for Jilly Cooper, The Joy Formidable, Five Seconds of Summer, Uniform Dating, Ok Cupid, IndieGoGo, a number of UK Universities, Sony Music, and Warner Music, to name a few.

Joe has self-published a number of comic books and regularly exhibits at UK comic festivals. He’s planning to exhibit at other European and International festivals in the future. He loves meeting people and talking to them about his work.

What was your favorite book as a child?

Winnie the Pooh, or possibly The Giraffe, The Pelican and Me. It’s a tough call, because Roald Dahl was exciting in a way that other books have never been, but Winnie the Pooh has stayed with me forever. I used to take a collected version to my Mum’s piano lessons when I was a kid, and sit there next to a stinky gas fire with a tubby black-haired scotty dog. The dog would lay on its back getting a weird sunburn on its belly from the fire (and it would fart, all the time).

What cool travel spots would you most highly recommend?

Copenhagen, for its incredibly comfortable culture, amazing pastries (get a hot cinnamon swirl, your life will never be the same again), great coffee and beer, cool electric city bicycles, amazing museums and great food. 

I’d also recommend Berlin. It’s an amazing place, though it changes every year. It never sleeps. Seriously.

One of the happiest times of my life was driving up the West coast of the USA. We hired a car and drove from San Francisco up to Portland. It was the most free I’ve ever felt, and I hope to go back one day for longer adventures.

GET IN TOUCH ABOUT JOE

Art Process:

I like my work to feel tangible and retain a sense of the energy you get from those early drawings, so I try to make sure the final pieces are refined enough, yet expressive. It means that each stage of the process is relatively quick in order to keep some of that feeling.

Typically I draw my thumbnail sketches with a Fountain Pen, then using a smaller paper size I will draw the final piece in rough using Blue Col-erase pencils (these are used a lot by animators – they don’t smudge yet aren’t too hard, so you can be nice and expressive). I then scan this, print it faintly on to smooth finish (hot press) Watercolour paper (it has a touch more tooth than Bristol board so I find it suits my inking style better – less smudges). Then I ink over this, mostly using a Kolinsky Sable no6 brush and a pot of ink, some fine liner work in there too. Scan it, colour it using Photoshop and an array of collected brushes that I’ve picked up down the years. I have a small handful that I return to most often.


Lindsey Leigh

Pen and ink

Lindsey Leigh is an illustrator and comic artist originally from Maryland. She has a BFA in illustration from Syracuse University as well as an MA in graphic design from the Maryland Institute College of Art. In between, she also interned at the Smithsonian Natural History Museum in the entomology department, diligently illustrating beetles.

Her work is inspired by mythology, folklore, and the natural world. Though her work ranges from the cozy and comforting to the unsettling and spooky, she aims to imbue even the scariest monster with a tender charm. She also has an encyclopedic knowledge of weird animal facts and a passionate love for snails and slugs. She currently lives in Massachusetts.

Who or what inspires you the most, and why?

I am endlessly inspired by the mysteries of our world, from the darkest depths of the sea to the furthest reaches of space.

What do you love to do for fun?

I love to go to art museums, natural history museums, and take long walks in the local cemetery.

Specialties:

GET IN TOUCH ABOUT LINDSEY

Art Process:

I typically start the process doing research and gathering reference material. This part of the process really appeals to me because I love to learn everything I can about the subject I’m drawing. 

Then, I usually create very rough, small thumbnail drawings (that only I can really read!) to help me figure out the composition.

Once I start the final, I start with a pencil sketch, then inking with a range of tools such as nib pens, technical pens, and brush pens. Once that is completed, I will scan the drawing in, and then clean it up and color it with Photoshop. As a final step, I will overlay scanned ink wash textures that I have made into the final illustration to give it some extra dimension. (Occasionally, I will use a photo I’ve taken of something more unusual, like moss or lichen, to overlay into the illustration!) My favorite step of the process is definitely inking; it’s where I have the most fun.

Mediums:

Location:

Visit Lindsey at:

Available for School Visits:

Yes! I love to speak with students about the process of creating their own stories and comics.


Duachaka Her

Pen and ink

Duachaka Her is a Hmong-American cartoonist and illustrator from Wisconsin. She graduated from the University of Wisconsin-Stout with a BFA in Entertainment Design and concentration in Comics and Sequential Art. She creates graphic novels, illustrates picture books, and is a member of the Society of Children’s Book Writers and Illustrators organization.

Hmong-American children's book and graphic novel creator Duachaka Her at her home in Wisconsin

What is your favorite food?

My mom’s slow-cooked pork and mustard greens. It’s simple, savory, and just melts in your mouth with each bite! Definitely one of my favorite comfort foods!

What do you love to do for fun?

Read my stack of unfinished books, watch movies, and spend time with family.

Mediums:

Specialties:

GET IN TOUCH ABOUT DUACHAKA

Art Process:

My process usually starts out with me doing research, reading, or getting inspiration. From there, I do rough sketches in a sketchbook and test out various ideas and compositions. The chosen sketch gets penciled and inked traditionally on paper. I start out with a rough sketch of the entire drawing on paper and then start refining the pencils. After that, I go over the drawing with India ink and brush. Once the ink is completely dried, I erase all the pencil work and scan the piece. I’ll retouch and edit the scanned artwork in Adobe Photoshop and then do my colors digitally.

Awards and honors:

2019 SCBWI Marvelous Midwest Conference Art Show – Honorable Mention

2018 International Wisconsin Ginseng Festival Poster Contest – Grand Prize Winner

Location:

Visit Duachaka at:

Available for School Visits:

Yes. My visits usually consist of me doing a reading of my book and/or a presentation about my life as an artist and my art-making process followed by Q&A.


David Pierce

Pen and ink

Dave Pierce is an Author/Illustrator from the Northwest.

He re-discovered his passion for telling stories when he taught reading alongside his wife in the same Elementary classroom. Shortly after, he gained his certification to teach Art (K-12) and dove into the kidlit world via SCBWI. He is motivated by the “Ah-Hah!” moments that come when children read and stories that invite us to explore our place in the world.

He graduated from The Evergreen State College with an emphasis in Illustration, and studied Character Design and Digital Painting through The Oatley Academy of Visual Storytelling.

What do you love to do for fun?

Snowboard, Soccer, Hike, Music, Board and Video Games, and lots more. I probably have too many interests, but each one is so fun.

Favorite travel spots:

I’ve done a lot of travelling around Europe, but I have to say that Austria is my favorite. Go to Salzburg in the late spring and head into the mountains. Tell me you won’t have the Sound of Music running through your head!

Mediums:

Specialties:

GET IN TOUCH ABOUT DAVID

Art Process:

I try and leverage both digital and traditional media in my workflow.

One of the best things about working digitally is you can always undo things and make sweeping adjustments to composition by transforming and moving. This makes it a powerful tool early on when the ideas are just sketches. (Just don’t forget to click Save!)

As good as digital tools are, there’s something so *tangible* about creating traditionally. The feels and smells are wonderful, and I’ll get happy accidents that can inspire. Plus, you can work outside on a sunny day! (A rare treat in Washington State.)

I’ll usually make thumbnail ideas by pencil and scan them into the computer. Once in digital form, I’ll move its chunks around until I’m excited about it. From here I have a choice to continue digitally or print out the art for transfer via a light table. This works great for moving forward with Ink and Watercolor.

Sometimes I’ll stay traditional if it’s graphite or dry media, or go all-digital if it’s going to be something that demands more control. The important thing is knowing your tools and which approach will be most useful.

Location:

Visit David at:

Available for School Visits:

I enjoy doing visits in the classroom setting. This allows for hands-on learning with the students and making something collaborative together. My goal is to inspire the next generation of creatives, and to encourage anyone to try drawing and storytelling, whether they consider themselves an artist or not.


Elizabeth Jancewicz

Pen and ink

Elizabeth grew up in remote northern Quebec where she developed her love of natural landscapes and wild animals, which greatly influence her paintings.

She spends much of her time touring the country with her husband Eric in their band Pocket Vinyl, where she creates large fantastical oil paintings on stage while Eric sings and plays music. In 2019 they beat the world record for playing shows in all 50 states in the fastest time (45 days).

Elizabeth also writes & illustrates a twice-weekly autobiographical webcomic called The Touring Test, which focuses on the characters of Elizabeth & Eric, their two cats, and their experiences of being in a small touring band on the road.

Artist and graphic novelist Elizabeth Jancewicz headshot

Who or what inspires you the most, and why?

I love being around creativity. My walls are filled with other artists’ work, my shelves are full of graphic novels, and I love spending my time in DIY art spaces and seeing how other people interpret and express their individual creativity. I feel very fortunate to live and work with a creative person, whose artistic medium is so vastly different than mine.

Specialties:

GET IN TOUCH ABOUT ELIZABETH

Mediums:

Art Process:

I describe myself as purely a traditional artist. I’ll “clean up” pieces in Photoshop (brightening colours, or adding shading to my inked comics), but besides that I do not work digitally.

My comics are all penciled onto bristol paper, then inked in pen and marker.

My oil paintings are typically done on gessoed masonite board.

I like to work fairly quickly so that I can’t overthink an idea. I may then step away and let it sit for a while before either changing things up or deciding it’s finished.


Damon Lehrer

Pen and ink

Born in Boston in 1967, Damon Lehrer attended Amherst College and apprenticed to sculptor Philip Grausman in Connecticut. He traveled in Eastern Europe and lived in London during the 90s, then taught art at schools including the Rhode Island School of Design, Boston University, and Lesley University. In 2010 he started the Boston Figurative Art Center. His first children’s wordless picture book, Rocket Boy, was published by David R. Godine in 2017. He lives with his wife and son in Lexington, MA.

What was your favorite book as a child?

It depends which age… In the Night Kitchen and The Phantom Tollbooth, certainly. And Susan Cooper’s books!

What do you love to do for fun?

Play soccer with my 12-year-old son!

Mediums:

Specialties:

GET IN TOUCH ABOUT DAMON

Art Process:

For a book project, I sit at my drawing table and visualize what I need to express. If things go well, I collect a few ideas that I jot down and use as the basis for pencil sketches. I often photograph these basic sketches and import them to Photoshop, where I can play with their tonal parameters and get new ideas. I might play with color at this stage, too. When I feel good about a small drawing, I make a larger drawing on Canson 14×17 drawing paper. I’ll import these into Photoshop and play with them in the same way, and if possible do finishing work and small adjustments.

I find the alternation between drawing with paper and pencil and working digitally really enjoyable. It helps me separate from the drawing and see it in a new way. It also makes me feel very free to take risks with color, image order, and pencil drawing.

Published books:

Rocket Boy, David Godine, 2017

Location:

Visit Damon at:

New website coming soon.

Awards and honors:

Massachusetts Cultural Council Award in Painting, 2000

Available for School Visits:

I do free-form author visits where I place enlarged posters of pages from my book  at the front of the room. I ask the kids about themselves to loosen them up (what they do, what they like, what they think of the illustrations, etc.) until they start asking me questions. We have fun and I enjoy it.


Matt Loux

Pen and ink

Matthew Loux is the author and artist of the graphic novels The Time Museum Vol. 1 and Vol. 2 (published by First Second Books), Sidescrollers and the five volume series Salt Water Taffy (originally published by Oni Press).

Matthew also illustrated the graphic novel F-Stop and the board comic Good Night Gabbaland based on the Nick Jr. television show Yo Gabba Gabba and has contributed comics and cover art for the Comic Book Legal Defense Fund. Matthew lives in New York and is currently working on his first watercolor-painted graphic novel aimed at early middle grade readers, soon to be announced.

Favorite food:

Pepperoni pizza

Favorite travel spots:

Just about any place in Japan but particularly the Shinsekai neighborhood of Osaka and the Shimokitazawa and Nakameguro neighborhoods of Tokyo.

Mediums:

Specialties:

GET IN TOUCH ABOUT MATT

Art Process:

Matthew’s art process involves a foundation of hand pencils, which are then finished with line art using a Winsor & Newton brush and ink.

Colors are either done using Photoshop, resulting in a slightly more polished and modern illustration look, or hand-painted with watercolor for a more classic, vintage feel.

Published books:

The Time Museum Vol. 1 and Vol. 2 (First Second Books)
Sidescrollers (Oni Press)
Salt Water Taffy Vol. 1-5 (Oni Press)
F-Stop (Oni Press)
Good Night Gabbaland (Oni Press)

Awards and honors:

Starred Kirkus review (The Time Museum)
Texas Library Association’s Maverick list, 2018 (The Time Museum)
Panda Book Award winner, 2018 (The Time Museum)
RI Children’s Book Award nomination (The Time Museum)
American Library Association’s YALSA Great Graphic Novels for Teens, 2008 (Sidescrollers)
Texas Library Association’s Maverick list, 2009 (Salt Water Taffy)

Location:

Visit Matt Loux at:

Available for School Visits:

Matthew’s main school presentation (aimed at middle grade readers) begins with a personal look at the influences throughout his younger life that led him to a career in comics. He discusses the steps it takes to actually create a graphic novel from idea to finished book. The presentation includes live drawing and a slideshow.

Matthew’s second presentation (accessible for all ages) begins with a shorter version of what brought him to making comics, then quickly focuses on live drawing and an interactive “create a character” game. In the end, the drawings will be left for the school to display or give to student participants.