Elizabeth Jancewicz


Elizabeth grew up in remote northern Quebec where she developed her love of natural landscapes and wild animals, which greatly influence her paintings.

She spends much of her time touring the country with her husband Eric in their band Pocket Vinyl, where she creates large fantastical oil paintings on stage while Eric sings and plays music. In 2019 they beat the world record for playing shows in all 50 states in the fastest time (45 days).

Elizabeth also writes & illustrates a twice-weekly autobiographical webcomic called The Touring Test, which focuses on the characters of Elizabeth & Eric, their two cats, and their experiences of being in a small touring band on the road.

Artist and graphic novelist Elizabeth Jancewicz headshot

Who or what inspires you the most, and why?

I love being around creativity. My walls are filled with other artists’ work, my shelves are full of graphic novels, and I love spending my time in DIY art spaces and seeing how other people interpret and express their individual creativity. I feel very fortunate to live and work with a creative person, whose artistic medium is so vastly different than mine.




Art Process:

I describe myself as purely a traditional artist. I’ll “clean up” pieces in Photoshop (brightening colours, or adding shading to my inked comics), but besides that I do not work digitally.

My comics are all penciled onto bristol paper, then inked in pen and marker.

My oil paintings are typically done on gessoed masonite board.

I like to work fairly quickly so that I can’t overthink an idea. I may then step away and let it sit for a while before either changing things up or deciding it’s finished.

Victoria Rivero


Hi, I’m a Chilean Illustrator, Mangaka and Art Professor.  I moved to Austin, TX, at the end of 2017 thanks to the visa EB1- Extraordinary Ability in the Arts.  After several years working for different agencies, universities and editorials in Chile, now I’m following my “American Dream”.

All my work employs a preciousness style totally focused on the female figure, mostly, made with traditional techniques. I specially enjoy working with watercolors, acrylics, gouache, color pencils and copic markers.

The delicate style and the subtle, suggestive and onirics concept of my work has earned me national and international recognition and awards; and has let me exhibited my art in countries such as Spain, France, USA and Japan.

What do you love to do for fun?

I’m a doll collector (BJDs, Pullips and Blythes) and I really enjoy sewing new dresses for my dolls and take them out for some photo sessions.

Who or what inspires you the most, and why?

I get inspired by flower and color, but mostly by the way I feel. Illustration for me is the way I use for understand me and express myself.




Art Process:

Depending on what I want to achieve with a piece, I can work by Instinct or Methodically. I’m especially very methodic when I have to work in team or with a client. In that case, I like to collect references and made several sketches with optional palettes. After the correction and sketch selection, I start working on the final piece. However, when it comes to my personal artwork, I’m very emotional, leaving me leads by the feeling at the moment, especially with the colors and technique.

Published books:

Feeling Pink. Visuales Editorial. CoAuthor, 2015.
Visuales Editorial. CoAuthor, 2013.
When the Snow Fall. Independent Edition, 2011.
Under Spring Afternoon. Independent Edition, 2010.
Norma Editorial. CoAuthor, 2008.
Independent Edition. Co-Author, 2008.
Cute! Pop! Love!. (trilogy) Independent Edition. Co-Author, 2003- 2004- 2005.

Awards and honours:

2005: Contest for official poster of Salón del Manga de Jerez de la Frontera, Spain.
2008: Winner of the second edition Noma Editorial Manga Contest, Spain.
2011: Daily deviations award for the illustration “Green Eyes.
2013: Daily deviations award for the illustration “Touya.
2014: Daily deviations award for the illustration “Blind.
2015: Winner of the grant funds from “ProChile” (Chile’s Government) for the Artistic Project “PInk!”.
2017: EB-1 Visa (E11): “Alien with Extraordinary Habilities in the Arts” (EE.UU Government).

Damon Lehrer


Born in Boston in 1967, Damon Lehrer attended Amherst College and apprenticed to sculptor Philip Grausman in Connecticut. He traveled in Eastern Europe and lived in London during the 90s, then taught art at schools including the Rhode Island School of Design, Boston University, and Lesley University. In 2010 he started the Boston Figurative Art Center. His first children’s wordless picture book, Rocket Boy, was published by David R. Godine in 2017. He lives with his wife and son in Lexington, MA.

What was your favorite book as a child?

It depends which age… In the Night Kitchen and The Phantom Tollbooth, certainly. And Susan Cooper’s books!

What do you love to do for fun?

Play soccer with my 12-year-old son!




Art Process:

For a book project, I sit at my drawing table and visualize what I need to express. If things go well, I collect a few ideas that I jot down and use as the basis for pencil sketches. I often photograph these basic sketches and import them to Photoshop, where I can play with their tonal parameters and get new ideas. I might play with color at this stage, too. When I feel good about a small drawing, I make a larger drawing on Canson 14×17 drawing paper. I’ll import these into Photoshop and play with them in the same way, and if possible do finishing work and small adjustments.

I find the alternation between drawing with paper and pencil and working digitally really enjoyable. It helps me separate from the drawing and see it in a new way. It also makes me feel very free to take risks with color, image order, and pencil drawing.

Published books:

Rocket Boy, David Godine, 2017


Visit Damon at:

New website coming soon.

Awards and honors:

Massachusetts Cultural Council Award in Painting, 2000

Available for School Visits:

I do free-form author visits where I place enlarged posters of pages from my book  at the front of the room. I ask the kids about themselves to loosen them up (what they do, what they like, what they think of the illustrations, etc.) until they start asking me questions. We have fun and I enjoy it.

Serena Phu


Serena sometimes introduces herself as Ren, and mostly presents herself online as phoodledoodles. She is an artist with a focus on painting and illustration, and describes her work as “a precarious balance of cutesy-lovely-pretty, and ominous tension.”

She received her BFA from the Hartford Art School in May 2019. She has had several gallery shows and has attended anime and pop culture conventions as an artist since fall 2015.

What is your favorite food?

I have 2 separate answers for this. My favorite food for looking at is cake, especially modern cakes. I’m very much a fan of whipped cream texture, and looking at finely piped whipped cream dollops and swirls makes me elated.

My favorite food, according to my boyfriend, whom I had to ask for input on this, is good curry. I do enjoy sweet curries, like Japanese curry and Thai curry. In general, I like a lot of sweet-savory foods, and foods with a soft or even mushy texture.

Favorite travel spots:

I’ve been to Japan only one time, and it was my only time traveling internationally, but it was definitely a highlight for me. A lot of people want to travel there, and for good reason; when I was there, everything felt like a dream. It felt like regular mundane life, but easier and all-around nicer. I was mostly in the city, and public transit was straightforward despite any language barriers, food was easy to come by, and the shopping landscape was new and exciting. I would definitely recommend visiting Japan to see their city life, particularly Tokyo and everything it encompasses, and Osaka and the nearby Nara Park, where you can bow endlessly with very polite deer (or get chased by them when you have food, as I did). Another spot I’d recommend is the Zao Fox Village in Shiroishi, which is a far train ride from the major cities, but a good opportunity to experience the Shinkansen.


Art Process:

My art process starts with the medium. I usually get an intrinsic sense of what medium I think suits a work best, based on what the subject matter is and whatever inkling of a composition I have in mind for it. My usual default is oil paint, as it is the most versatile and the most comfortable for me, as well as most fun. I like oil for the texture that it’s capable of, and when I work with it, I often try to incorporate large, brushy strokes and globby paint chunks if I can. If a piece requires a lighter or more delicate touch, I go for watercolor and/or gouache (unless it requires a dark background, in which case I go back to oil). I find water-based medium to be so dainty, and works very well to convey a feeling of sunniness or fragility.

From there, I figure out composition; I usually have an immediate sense of what kind of impact I want from a piece and what it ought to look like, so I’ll then do a few pencil sketches, take some reference photos I might need, and work out any wonky parts until I get exactly the vibe I envision. Once that’s ready to go, I’ll either redraw it or transfer it onto whatever surface I’m working on (watercolor paper, canvas, board, digital scan, etc.) and start to paint. Painting is a very straightforward, step-by-step process for me, although there are a few decisions that I leave out during the planning portion that I make while executing the final product; I feel that this keeps it from getting too stiff or overly structured.