Maddie Baker
Mixed media
Maddie Baker is an illustrator and comic maker living in St. Louis, with an MFA from the Sam Fox School’s Illustration and Visual Culture and BFA in Illustration from Brigham Young University. She loves cannellini beans, Jane Austen, and collecting unwanted scraps to use for art projects, and you can find her five inches deep in cut paper scraps and paint stains. The goal of her work can be summed up by designer Jessica Hische who once said: “There need to be people who show us that the world is a beautiful place worth saving.” Maddie’s work is about the loveliness and humor of everyday life, especially stories about women. Her favorite projects are those with deeply relatable flawed characters, and a healthy dose of playfulness.
What was your favorite book as a child?
When I was very young I loved Click Clack Moo, Cows That Type by Doreen Cronin. I found the farm animals demanding a higher quality of life from their disgruntled farmer to be very entertaining and clever!
What is your favorite food?
Any kind of Thai curry! It’s simply the yummiest combination of spices and flavors and its perfect for a pick me up anytime.
Who or what inspires you the most?
The thing that inspires me the most is when I take 10 minutes to stop and look—really look—at whatever is around me. Whether it is the beauty of world around me, the ingenuity of human invention, or the smile of the person next to me—I always feel like there is such a wealth of good and interesting things to pull from.
What cool travel spots would you most highly recommend?
Redfish Lake near Stanley, Idaho, nestled in the Sawtooth Mountains. It is stunningly gorgeous in the summertime, and holds a lot of nostalgia for me. Also the Johnson Shut Ins in Missouri are amazing. It is a series of cool rock formations with water flowing through, perfect for swimming and exploring.
If someone made a potion to summon you, what would go into the cauldron?
For me it is Thai curry, Enya’s Watermark CD, bright pink paint pigment, the smell of citrus, and freeze dried Milk Duds.
What do you love to do for fun?
I love reading Agatha Christie and Jane Austen out loud with my husband, and thrifting at the St. Louis Goodwill bins. I once found a gorgeous hand dyed area rug in all my favorite colors for $5. That is a dang good feeling.
Creative Process:
I am an idea girl. I love exploring lots of possibilities, visual ideas, and research before settling on a course, and even then—I like to leave room for things to shift and grow throughout a project. I never like to let any one project get too stale, so I try to set myself a new challenge for each to get outside of my habitual patterns, whether that is a new tube of hot pink paint or a specific layout of panels for a graphic novel page. I love the mistakes and happy accidents that occur when I am using analog media. I always find that there is some neat, unexpected outcome that way, and I try to implement that analog feel even when I am working digitally.
Awards and honors:
Young Professionals Scholarship (Society of Illustrators Los Angeles 2026)
Graduate Speaker at Sam Fox School Recognition Ceremony May 2025
Rose O’Neill Award For Distinction In Illustration from Sam Fox
School Society of Illustrators LA Bronze Award
Bill Tara Scholarship (SILA) 2025
Association for Mormon Letters Special Award in Children’s Literature
Published books:
The Book of Mormon Storybook Volumes I and II (self-published and authored by Josh and Sarah Sabey, 2023)
The Bible Storybook: The Old Testament Volumes I and II (self-published and authored by Josh and Sarah Sabey, 2025)
The Bible Storybook: The New Testament Volumes I and II (self-published and authored by Josh and Sarah Sabey, 2026)
Forthcoming books:
Mediums:
Gouache, Paper collage, mixed media, digital
Location:
St. Louis, Missouri
Specialties:
Board books, Book Covers, Graphic novel interior art, Humor, Illustration, Indie comics, Picture books, Slice-of-life, Spot art
Visit Maddie at:
maddiebakermakes.com
Instagram: @maddiebakermakes
Available for School Visits:
I’ve never done one but am totally open to it!
Published Books
Anna-Maria Jung
Mixed media
I am a passionate Austrian illustrator with a quirky and sometimes dark sense of humor. I’ve been creating whimsical and endearing characters ever since I could hold a pencil, which naturally led me to explore graphic novels.
After earning a Master’s degree in Multi Media Art in Austria in 2007 (which included an internship at Bill Plympton Studios) and a Master of Arts in Illustration from FIT in New York in 2011, I began producing hundreds of charming and nerdy designs for the licensing market. My work also extends to illustrating children’s books for renowned publishers such as Macmillan, Workman Publishing, and Epic!
Comedy plays a central role in my art—especially when it comes to blending silly, innocent moments with a darker sense of humor. I’m fascinated by how the world can be both wonderful and terrifying at once, and how life itself is often just plain weird. I also have a special love for odd science topics, from gross bodily functions to parasitic lifeforms and beyond.
What cool travel spots would you most highly recommend?
Japan, anywhere! I have never been in a country that puts so much efford into the functionality and the design of things. And there are so many wonderful character designs everywhere!
Why is your humor so silly, but also dark?
Sometimes I wonder the same, and one thought I have is that in Austria, I grew up with quite “dark” children’s media. For example, a lot of Japanese/German animation productions featured themes such as death, suffering, and violence — for example, Alfred J. Kwak, produced in the late ’80s, had a cute duck experience terrible loss and other serious adult themes.
In addition, Austrian cartoonists I liked, such as Deix and Harderer, drew their subjects in a very unflattering light. Later in life, I was very influenced by the late ’90s Cartoon Network era and Monty Python. I have a lot of love for silly and dark humor.
Awards and honors:
Fulbright Scholarship, Fashion Institute of Technology (FIT) New York, 2009 – 2011: Master of Arts
Society of Illustrators, New York – Illustrators 54
Selected for inclusion in the annual exhibition and publication, 2012.
Star Trek: 50 Artists. 50 Years
Featured in this international traveling exhibition celebrating the franchise’s 50th anniversary, 2016.
Creative Process:
For most projects, everything starts with doodles in my sketchbook, maybe with a few research photos next to me. This always happens with analog materials, sometimes in a café. The doodle helps me nail down composition, idea, and mood.
The doodle works as a perfect underlay for the upcoming sketch phase. Usually, it takes me a couple of sketches — between one and five — to reach a stage that I consider ready for clean line art. To improve the sketch, I scan it in, mirror it in Photoshop, print it out at low opacity, and draw over it again multiple times. Sometimes a sketch feels like a “Quasimodo” in its first stage and slowly transforms into something presentable with each pass.
Something I learned is to keep making passes until the sketch works 100% (or at least 90%) — then I scan it and do the line art and color digitally in Photoshop. There, I work with many, many layers and very methodically. This means that I have a lot of easy control over the character’s position, color changes, etc.
This is all for finished client artwork — in my sketchbook, I go wild with watercolors, markers, and colored pencils.
Mediums:
Pencil on paper, digital, mixed media
Specialties:
Location:
Graz, Austria
Published books:
Redshirts: Star Trek’s Little Book of Doom (Insight Editions, 2016) – Illustrations
The Most Dangerous Book: Archery (Workman Publishing, 2017) – Illustrations
Turn This Book Into a Beehive (Workman Publishing, 2017) – Illustrations
TinkerActive Workbooks (Odd Dot / Macmillan, 2018-2020) – Covers & Character Designs
Creepy Cafetorium Vol. 1–3 (Epic!, 2019-2022) – Illustrations & one story concept
Disgustology: The Science of Gross (Odd Dot / Macmillan, 2025) – Concept & Illustrations
Turn This Book Into a Birdfeeder (Workman Publishing, 2025) – Illustrations
Forthcoming books:
Visit Anna-Maria at:
Webseite: https://www.annamariajung.com/
Instagram: https://www.instagram.com/artofannamariajung/
Facebook: https://www.facebook.com/artofannamariajung
Substack: https://annamariajung.substack.com/
Linkedin: https://www.linkedin.com/in/anna-maria-jung-3780a320a/
Published Books
Rajiv Eipe
Mixed media
Rajiv Eipe makes picture books, comics, and short animation films. He collaborates frequently with the writer C. G. Salamander, and some of the series they’ve worked on together are the Maithili and the Minotaur graphic novels, the Lost Creatures Picture Books, and the Nisha Small middle grade novels. In 2020, he was awarded the Parag Big Little Book Award for illustration for his contribution to children’s literature in India. He lives in Bangalore, India, with his family consisting of two cats, one dog, and one (other) human. He likes to doodle in his sketchbook, drink more coffee than he should, maintain an untidy workspace, and gaze into vacant space at regular intervals.
What was your favorite book as a child?
Mr. Clumsy by Roger Hargreaves. And a bunch of comics—Funny World, Detective Moochwala, and Gardhab Das, in a children’s magazine called Target, published in India in the 80s and 90s. I wasn’t a very good reader as a child, and images were a way into books for me. Looking back, it’s pretty incredible that a green blob with a yellow circle for a nose and a few strands of hair sprouting out of the top of his head and from under his nose can so vividly represent a character that you feel for and laugh along with.
What do you love to do for fun?
I love the outdoors and live in a city with a temperate climate and lots of great short hikes. I’m also an amateur birder, and will find time a couple of days a week to grab a pair of binocs and walk around a park or city forest near home (while silently muttering curses at people who wear bright colours and talk loudly inside a forest).
Awards and honors:
The Big Little Book Award for Illustration 2020 by the Parag Initiative of Tata Trusts for contribution to Children’s Literature in India
Binod Kanoria Early Readers Award 2024 for Hello Sun
Mehlli Gobhai Award for Illustration 2022 for Chitty: A Dog and her Forest Farm
Atta Galatta Bangalore Literature Festival Picture Book Illustration Award 2022 for Dugga
Binod Kanoria Illustration Award 2022 for Dugga
The Hindu Young World Good Books Award for Illustration 2019 for Ammachi’s Amazing Machines
Creative Process:
Making rough drawings in sketchbooks or on loose sheets of paper is a way of thinking for me—my small brain can hold only so much. So every project or idea generally starts like this, with sketchy pencil drawings, whether I’m collaborating with a writer and responding to a manuscript, or working alone. I love the character design process and spend lots of time doodling many variations of a design till I find what feels like a good fit. I find it somewhat difficult and constricting to draw directly on a computer, so it’s usually pencil on (cheap) paper, but i often add colours digitally, especially on projects with short timelines. I’ve noticed that as images move towards completion, they lose some of the energy of initial sketches, so i’ve been making an effort to retain some of the freeness and looseness of rough drawings. I’m generally ‘drawn’ to silliness in stories and characters, and try and find inspiration for drawings from the sights and sounds of my immediate surroundings.
Location:
Bangalore, India
Mediums:
Pencil, Inks, crayons, colour pencils, mixed media, digital
Specialties:
Published books:
Dugga (Pratham Books, 2021)
Maithili and the Minotaur: Web of Woe (Puffin India, 2021)
Nisha Small: The Knot of Gold (Duckbill PRH 2022)
Maithili and the Minotaur: Forest of Forgotten Fears (Puffin India, 2022)
Hello Sun (Pratham Books, 2022)
How to Reach Mars and Other (Im)Possible Things (Puffin India, 2023)
When Fairyland Lost Its Magic (Harper Collins Children India, 2023)
Ajay of Agumbe and the Signal Snake (Pratham Books, 2024)
Nisha Small: The Strand of Silver (Duckbill PRH 2024)
Maithili and the Minotaur: Dolls of Despair (Puffin India, 2024)
The Pangolin Protectors (Pratham Books, 2025)
Song of the Asunam (Harper Collins Children India, 2025)
Forthcoming books:
Prabir’s New Flute (Duckbill PRH 2025)
Maithili and the Minotaur: Isle of Insanity (Puffin India, 2026)
Aalais like the Hills (Harper Collins Children India, 2026)
Available for School Visits:
No
Visit Rajiv at:
Published Books
Lindsey Leigh
Mixed media
Lindsey Leigh is an illustrator and comic artist originally from Maryland. She has a BFA in illustration from Syracuse University as well as an MA in graphic design from the Maryland Institute College of Art. In between, she also interned at the Smithsonian Natural History Museum in the entomology department, diligently illustrating beetles.
Her work is inspired by mythology, folklore, and the natural world. Though her work ranges from the cozy and comforting to the unsettling and spooky, she aims to imbue even the scariest monster with a tender charm. She also has an encyclopedic knowledge of weird animal facts and a passionate love for snails and slugs. She currently lives in Massachusetts.
Who or what inspires you the most, and why?
I am endlessly inspired by the mysteries of our world, from the darkest depths of the sea to the furthest reaches of space.
What do you love to do for fun?
I love to go to art museums, natural history museums, and take long walks in the local cemetery.
Specialties:
Action-adventure, Animals, Black & white, Book Covers, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Horror, Humor, Illustration, Indie comics, Inking, Middle Grade, Non-fiction, Penciling, Picture books, Sci-fi, Science Communication, Slice-of-life, Spot art, Storyboarding, Writing, Young Adult
Available for School Visits:
Yes! I love to speak with students about the process of creating their own stories and comics.
Art Process:
I typically start the process doing research and gathering reference material. This part of the process really appeals to me because I love to learn everything I can about the subject I’m drawing.
Then, I usually create very rough, small thumbnail drawings (that only I can really read!) to help me figure out the composition.
Once I start the final, I start with a pencil sketch, then inking with a range of tools such as nib pens, technical pens, and brush pens. Once that is completed, I will scan the drawing in, and then clean it up and color it with Photoshop. As a final step, I will overlay scanned ink wash textures that I have made into the final illustration to give it some extra dimension. (Occasionally, I will use a photo I’ve taken of something more unusual, like moss or lichen, to overlay into the illustration!) My favorite step of the process is definitely inking; it’s where I have the most fun.
Location:
Mediums:
Awards and Honors:
Kirkus Best Books of 2023 – The Deep!
Kirkus Starred Review 2023 – Sick!
Blueberry Honor Award 2023 – The Deep!
Kirkus Starred Review 2023 – The Deep!
Booklist Starred Review 2024 – The Dark!
Kirkus Starred Review 2024 – The Dark!
Texas Little Maverick Reading List 2024 – The Deep!
Kirkus Best Book of 2024 (middle grade) – The Dark!
We Are Teachers Best New Books in July 2024 for Kids, Teens, and Teachers – The Dark!
2024 Bookopolis Summer Challenge – The Dark!
Texas Little Maverick Reading List 2025 – The Dark!
Visit Lindsey at:
Published books:
The Deep! (Penguin Workshop, 2023)
Sick! (illustration, Bloomsbury, 2024)
The Dark! (Penguin Workshop, 2024)
The Dirt! (Penguin Workshop, 2025)
Forthcoming books:
Published Books
Kaia Tseng
Mixed media
Born in Syracuse, New York and raised in Cupertino, California, Kaia Tseng is a Taiwanese-American illustrator, designer, and entrepreneur. Kaia has been drawing ever since she learned how to pick up a crayon, and has always loved bringing ideas to life in the form of art. By age 15, she began selling her artwork and handicrafts at local conventions. She made her lifelong hobby into her profession at age 24, with the launch of her brand, Kaiami, with the goal of designing products that make people smile and brighten up their day.
Her artwork uses dreamy colors and brings a touch of the fantastical to ordinary moments. In addition to designing for her own brand, Kaia has also produced art for books, games, fashion brands, and galleries.
What is your favorite food?
Carrots have been my favorite food since I was a kid! I have eaten them to the point where my skin turned orange. I also generally like Asian noodle soups (Taiwanese beef noodle and tonkotsu ramen are among my favorites).
What do you love to do for fun?
I love to hold tea parties! I love to get dressed up and drink delicious tea and eat small desserts, but casual tea parties where I can get together and catch up with friends are great too. Aside from that, I’m also a big fan of birdwatching and reading comics.
Specialties:
Advertising, Animals, Black & white, Board books, Book Covers, Branding, Character design, Coloring, Concept art, Editorial, Fantasy, Graphic novel interior art, Humor, Illustration, Indie comics, Inking, Lettering, Manga, Middle Grade, Non-fiction, Packaging, Penciling, Picture books, Sci-fi, Slice-of-life, Spot art, Storyboarding, Typography, Writing, Young Adult
Awards and honors:
City of Cupertino Fine Arts Commission Distinguished Artist Gold Award 2019-2020
Mediums:
Art Process:
I thumbnail my ideas in a sketchbook before starting, and usually the sketch will be done with pencil and paper before moving to the lining phase. I sometimes line using a lightbox on top of my sketches, or scan and line digitally. Nowadays, I do most coloring digitally, but I started out using traditional mediums so I am comfortable with markers and colored pencils as well.
Location:
Visit Kaia at:
