David Pierce

Gouache

Dave Pierce is an Author/Illustrator from the Northwest.

He re-discovered his passion for telling stories when he taught reading alongside his wife in the same Elementary classroom. Shortly after, he gained his certification to teach Art (K-12) and dove into the kidlit world via SCBWI. He is motivated by the “Ah-Hah!” moments that come when children read and stories that invite us to explore our place in the world.

He graduated from The Evergreen State College with an emphasis in Illustration, and studied Character Design and Digital Painting through The Oatley Academy of Visual Storytelling.

What do you love to do for fun?

Snowboard, Soccer, Hike, Music, Board and Video Games, and lots more. I probably have too many interests, but each one is so fun.

Favorite travel spots:

I’ve done a lot of travelling around Europe, but I have to say that Austria is my favorite. Go to Salzburg in the late spring and head into the mountains. Tell me you won’t have the Sound of Music running through your head!

Mediums:

Specialties:

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Art Process:

I try and leverage both digital and traditional media in my workflow.

One of the best things about working digitally is you can always undo things and make sweeping adjustments to composition by transforming and moving. This makes it a powerful tool early on when the ideas are just sketches. (Just don’t forget to click Save!)

As good as digital tools are, there’s something so *tangible* about creating traditionally. The feels and smells are wonderful, and I’ll get happy accidents that can inspire. Plus, you can work outside on a sunny day! (A rare treat in Washington State.)

I’ll usually make thumbnail ideas by pencil and scan them into the computer. Once in digital form, I’ll move its chunks around until I’m excited about it. From here I have a choice to continue digitally or print out the art for transfer via a light table. This works great for moving forward with Ink and Watercolor.

Sometimes I’ll stay traditional if it’s graphite or dry media, or go all-digital if it’s going to be something that demands more control. The important thing is knowing your tools and which approach will be most useful.

Location:

Visit David at:

Available for School Visits:

I enjoy doing visits in the classroom setting. This allows for hands-on learning with the students and making something collaborative together. My goal is to inspire the next generation of creatives, and to encourage anyone to try drawing and storytelling, whether they consider themselves an artist or not.


Victoria Rivero

Gouache

Hi, I’m a Chilean Illustrator, Mangaka and Art Professor.  I moved to Austin, TX, at the end of 2017 thanks to the visa EB1- Extraordinary Ability in the Arts.  After several years working for different agencies, universities and editorials in Chile, now I’m following my “American Dream”.

All my work employs a preciousness style totally focused on the female figure, mostly, made with traditional techniques. I specially enjoy working with watercolors, acrylics, gouache, color pencils and copic markers.

The delicate style and the subtle, suggestive and onirics concept of my work has earned me national and international recognition and awards; and has let me exhibited my art in countries such as Spain, France, USA and Japan.

What do you love to do for fun?

I’m a doll collector (BJDs, Pullips and Blythes) and I really enjoy sewing new dresses for my dolls and take them out for some photo sessions.

Who or what inspires you the most, and why?

I get inspired by flower and color, but mostly by the way I feel. Illustration for me is the way I use for understand me and express myself.

Mediums:

Specialties:

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Art Process:

Depending on what I want to achieve with a piece, I can work by Instinct or Methodically. I’m especially very methodic when I have to work in team or with a client. In that case, I like to collect references and made several sketches with optional palettes. After the correction and sketch selection, I start working on the final piece. However, when it comes to my personal artwork, I’m very emotional, leaving me leads by the feeling at the moment, especially with the colors and technique.

Published books:

Feeling Pink. Visuales Editorial. CoAuthor, 2015.
Visuales Editorial. CoAuthor, 2013.
When the Snow Fall. Independent Edition, 2011.
Under Spring Afternoon. Independent Edition, 2010.
Norma Editorial. CoAuthor, 2008.
Independent Edition. Co-Author, 2008.
Cute! Pop! Love!. (trilogy) Independent Edition. Co-Author, 2003- 2004- 2005.

Awards and honours:

2005: Contest for official poster of Salón del Manga de Jerez de la Frontera, Spain.
2008: Winner of the second edition Noma Editorial Manga Contest, Spain.
2011: Daily deviations award for the illustration “Green Eyes.
2013: Daily deviations award for the illustration “Touya.
2014: Daily deviations award for the illustration “Blind.
2015: Winner of the grant funds from “ProChile” (Chile’s Government) for the Artistic Project “PInk!”.
2017: EB-1 Visa (E11): “Alien with Extraordinary Habilities in the Arts” (EE.UU Government).


Serena Phu

Gouache

Serena sometimes introduces herself as Ren, and mostly presents herself online as phoodledoodles. She is an artist with a focus on painting and illustration, and describes her work as “a precarious balance of cutesy-lovely-pretty, and ominous tension.”

She received her BFA from the Hartford Art School in May 2019. She has had several gallery shows and has attended anime and pop culture conventions as an artist since fall 2015.

What is your favorite food?

I have 2 separate answers for this. My favorite food for looking at is cake, especially modern cakes. I’m very much a fan of whipped cream texture, and looking at finely piped whipped cream dollops and swirls makes me elated.

My favorite food, according to my boyfriend, whom I had to ask for input on this, is good curry. I do enjoy sweet curries, like Japanese curry and Thai curry. In general, I like a lot of sweet-savory foods, and foods with a soft or even mushy texture.

Favorite travel spots:

I’ve been to Japan only one time, and it was my only time traveling internationally, but it was definitely a highlight for me. A lot of people want to travel there, and for good reason; when I was there, everything felt like a dream. It felt like regular mundane life, but easier and all-around nicer. I was mostly in the city, and public transit was straightforward despite any language barriers, food was easy to come by, and the shopping landscape was new and exciting. I would definitely recommend visiting Japan to see their city life, particularly Tokyo and everything it encompasses, and Osaka and the nearby Nara Park, where you can bow endlessly with very polite deer (or get chased by them when you have food, as I did). Another spot I’d recommend is the Zao Fox Village in Shiroishi, which is a far train ride from the major cities, but a good opportunity to experience the Shinkansen.

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Art Process:

My art process starts with the medium. I usually get an intrinsic sense of what medium I think suits a work best, based on what the subject matter is and whatever inkling of a composition I have in mind for it. My usual default is oil paint, as it is the most versatile and the most comfortable for me, as well as most fun. I like oil for the texture that it’s capable of, and when I work with it, I often try to incorporate large, brushy strokes and globby paint chunks if I can. If a piece requires a lighter or more delicate touch, I go for watercolor and/or gouache (unless it requires a dark background, in which case I go back to oil). I find water-based medium to be so dainty, and works very well to convey a feeling of sunniness or fragility.

From there, I figure out composition; I usually have an immediate sense of what kind of impact I want from a piece and what it ought to look like, so I’ll then do a few pencil sketches, take some reference photos I might need, and work out any wonky parts until I get exactly the vibe I envision. Once that’s ready to go, I’ll either redraw it or transfer it onto whatever surface I’m working on (watercolor paper, canvas, board, digital scan, etc.) and start to paint. Painting is a very straightforward, step-by-step process for me, although there are a few decisions that I leave out during the planning portion that I make while executing the final product; I feel that this keeps it from getting too stiff or overly structured.