Ariel Rutland


Ariel Rutland is an award-winning designer and illustrator whose work focuses on themes of nature, curiosity, humor, and beauty in everyday objects. She grew up in a cozy central New Jersey suburb down the street from a great big house with a pond. Many weekends of her childhood were spent strolling the neighborhood with her Grandma, who would often take the train from Manhattan down to “the country.” She credits their endless neighborhood walks spent storytelling about the squirrels, birds, and rocks that crossed their path as inspiration for her art… and ability to (bring to her art?) view nature and the world through the wondrous eyes of a child…

Ariel graduated from University of Maryland with a degree in fine art and concentration in graphic design. She worked as a product designer at Martha Stewart, followed by lead designer at a boutique branding agency. Her artwork has been licensed to American Greetings, Minted, Target, and West Elm, being featured on greeting cards and home decor. She is currently illustrating a forthcoming children’s book. When she isn’t drawing and designing, she can be found playing in the backyard with her three young boys and husband in Yardley, Pennsylvania.

What was your favorite book as a child?

My bedtime book request was always Stellaluna. The illustrations completely transported me into the night sky. I now read it to my boys, who are equally as captivated and curious about these tender characters as I was.

Who or what inspires you the most, and why?

Watching my kids grow.




Art Process:

I start by asking questions and diving into the subject matter to find answers and (hopefully) discover hidden gems that I can weave into the illustrations. I want to fully immerse myself in the world that I am about to draw. Then I do a lot of loose pencil sketches on paper, continuing to iterate until I find what’s working. Next begins my back-and-forth dance from digital to analogue and back. After I’ve sketched on paper, I create a digital version so I can easily manipulate the pieces—move the tree a little to the left, add some birds, change the season. After I’ve created this digital foundation of flat shapes, I move back to paper and use various media like watercolor, ink, and cut paper—sometimes scribbles from my kids— to create textures and other hand-made marks that I will eventually scan and layer into the digital file. I love using the Procreate app on my iPad and Photoshop for final refinements. Whether I’m working purely digital or a combination, it’s important I retain a hand-made, “perfectly imperfect,” emotive quality to the final art.


Visit Ariel at:

Awards and honors:

NYPL Best Teens Book List, 2007
Selected as one of 5 Japanese artists to meet Japanese Prime Minister Abe, 2015

Available for School Visits:

Not at this time.

Forthcoming books:

Apart, Together written by Linda Booth Sweeney (coming 2022, Balzer + Bray)

Elizabeth Jancewicz


Elizabeth grew up in remote northern Quebec where she developed her love of natural landscapes and wild animals, which greatly influence her paintings.

She spends much of her time touring the country with her husband Eric in their band Pocket Vinyl, where she creates large fantastical oil paintings on stage while Eric sings and plays music. In 2019, they beat the world record for playing shows in all 50 states in the fastest time (45 days). Recently, they released their debut graphic novel memoir chronicling that adventure, titled How To Completely Lose Your Mind.

Elizabeth also writes & illustrates a twice-weekly autobiographical webcomic called The Touring Test, which focuses on the characters of Elizabeth & Eric, their two cats, and their experiences of being in a small touring band on the road.

Artist and graphic novelist Elizabeth Jancewicz headshot

Who or what inspires you the most, and why?

I love being around creativity. My walls are filled with other artists’ work, my shelves are full of graphic novels, and I love spending my time in DIY art spaces and seeing how other people interpret and express their individual creativity. I feel very fortunate to live and work with a creative person, whose artistic medium is so vastly different than mine.




Art Process:

I describe myself as purely a traditional artist. I’ll “clean up” pieces in Photoshop (brightening colours, or adding shading to my inked comics), but besides that I do not work digitally.

My comics are all penciled onto bristol paper, then inked in pen and marker.

My oil paintings are typically done on gessoed masonite board.

I like to work fairly quickly so that I can’t overthink an idea. I may then step away and let it sit for a while before either changing things up or deciding it’s finished.